Nicky Romero (Nick Rotteveel van Gotum) Quotes
I think for most new kids it’s important to sound different from the rest, to have your own sound, to be able to produce something that’s not there yet . . . If you want to be unique and you want to be a big DJ, create your own style, create your own signature.
Quotes to Explore
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I've turned from an ordinary Australian housewife into a gigastar, icon, talk-show host, swami, spin doctor... and now I'm a style guru!
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Greed is the lack of confidence of one's own ability to create.
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I don't put a ton of time into my on-stage style, largely because I'm dumb about clothes. But I have friends who are very smart about clothes, and they teach me things. For the show, I'm mainly concerned with feeling comfortable, being able to jump around and get wild.
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So many cartoonists draw the same year after year. When they find a style, they stick with it. They don't mess with innovation, and they become boring.
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Scientists - the crowd that for dash and style make the general public look like the Bloomsbury set.
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It's just my aesthetic: to want to feel a bit undone, effortless but not without style.
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I really do feel now that the way I dress onstage and for work is a true reflection of my own sense of style as well.
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Once you've done one style, you leave it for a while.
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Be comfortable. I think if you're comfortable, you exude confidence, and that leads to good style.
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I do not follow the rules of fashion, and I don't like to be considered a man of the world of fashion. I like to call it the 'style industry' because we try to work on taste.
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Audrey Hepburn, for me, was the end-all, be-all style icon.
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It's certainly no coincidence that big bands became the entertainment of the army in WWI and WWII, and that jazz drumming style is very military influenced. The snare drum comes from the military and becomes the core kind of sound of jazz drums.
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You can draw inspiration from anything. If you're a good storyteller, you can take a dirty look somebody gives you, or if a guy you used to have flirtations with starts dating a new girl, or somebody you're casually talking to says something that makes you so mad - you can create an entire scenario around that.
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After watching films of Jim Brown, I noticed that he never ran out of bounds. He always ran North and South and that's what I turned my style into. I was a North and South runner.
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I don't deny my life-style is occasionally pretty wild.
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I have no one style.
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At the beginning of my career I was going through a really weird phase of dressing in boys clothes. I would only wear one American Apparel T-shirt and shorts and brogues the whole year round. Not the same T-shirt, obviously, but one style of American Apparel T-shirt. I think I was going through a tomboy stage.
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I played lots of fantasy games. I would create these worlds, and I would believe in them.
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That's why 'The Bourne Identity' has that sort of shaky style, because for the most part, Matt Damon and I were sneaking around Paris and shooting where we didn't have permits.
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I think from a personal standpoint, maybe I appreciate a little more that there are two sides to every story, and the way that the U.S. is sometimes is viewed outside of the U.S. can be pretty tough, depending on what the U.S.'s actions are.
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It is dreadful to see actors reproducing the same image constantly.
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I know that somehow, every step I took since the moment I could walk was a step towards finding you.
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I think for most new kids it’s important to sound different from the rest, to have your own sound, to be able to produce something that’s not there yet . . . If you want to be unique and you want to be a big DJ, create your own style, create your own signature.
