Carla Azar Quotes
I think that's part of the creative process to disagree about certain ideas. But we also agree just as much as we disagree, I would say.
Quotes to Explore
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The U.S. economy and workers benefit from a strong, healthy relationship between government and business.
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As an entrepreneur, you tend to see the opportunities where others see none.
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I do love being on television and in peoples' homes. I'm not an actor, so there is a connection that's real.
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Every so often when I'm writing, a character might actually be a distinct person in my head - often not an actor or a face, literally a person who just seems to exist in my imagination. Then the challenge is finding somebody who is close enough to that to make me feel like I've ended up where I wanted to be.
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I don't think auditioning will ever faze me again after the 'Grease' TV experience. It was fierce. There were thousands of people auditioning in four cities. I flew from home in Minneapolis to audition in L.A. I waited in line all day. I arrived at 7 A.M. and wasn't seen until 6 P.M.
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Any idea, plan, or purpose may be placed in the mind through repetition of thought.
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If you have to forecast, forecast often.
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To pursue a so-called Third Way is foolish. We had our experience with this in the 1960s when we looked for a socialism with a human face. It did not work, and we must be explicit that we are not aiming for a more efficient version of a system that has failed.
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I think the premise of somebody trying to recreate a night from their teenage years stuck with me as something potentially very tragically comic.
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I'm a good son, a good father, a good husband - I've been married to the same woman for 30 years. I'm a good friend. I finished college, I have my education, I donate money anonymously. So when people criticize the kind of characters that I play on screen, I go, 'You know, that's part of history.'
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The martyr cannot be dishonored. Every lash inflicted is a tongue of fame; every prison a more illustrious abode.
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I don't want to play everyone's best friend. I don't want to play the role of a girl struggling in the ghetto. It's not that that story isn't important, but I saw patterns, and was like, 'I don't relate to these people.'
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My first job is big sister and I take that very seriously.
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I find the aristocratic parts of London so unattractive and angular; the architecture is so white and gated. But in New York, it's different - even uptown it's really grand, and there's no real segregation there. It's all mixed up.
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Nine times out of ten, in the arts as in life, there is actually no truth to be discovered; there is only error to be exposed.
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A lot of my music has ambiguity and room for people to interpret.
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I am interested in agricultural corporations and how they function. The idea that they own the genetics of our food supply is a really compelling thing to me.
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The world is as it should be.
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I receive many letters from people hoping to research their own houses.
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Sometimes comedy can be, like, negative and just the worst parts of ourselves coming out.
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I write almost entirely in bed or on a couch with my feet up on the coffee table. I feel most creative when I'm looking out the window, and my bed and couch have nice views of the New York skyline.
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If the guilt of sin is so great that nothing can satisfy it but the blood of Jesus; and the filth of sin is so great that nothing can fetch out the stain thereof but the blood of Jesus, how great, how heinous, how sinful must the evil of sin be.
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Human beings are terrible at accepting uncertainty, so when we’re ignorant, we make assumptions based on how we imagine the world.
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I think that's part of the creative process to disagree about certain ideas. But we also agree just as much as we disagree, I would say.
