Quentin Tarantino Quotes
To me, movies and music go hand in hand. When I'm writing a script, one of the first things I do is find the music I'm going to play for the opening sequence.
Quotes to Explore
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Don't let nobody tell you that you can't do it. Love what you do until you don't love it anymore. Nothing's impossible.
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I brought several national projects to Katihar.
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Nobody can be exactly like me. Even I have trouble doing it.
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I can now say that the more I learnt about Islam, the more tolerant I became.
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I was always under the impression that acting is an innate gift. One of the first things I heard them say at Koothu-P-Pattarai was that actors should realise the art of acting through their training.
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We are paying the price for living longer, collecting degenerative diseases along the way. Cancer is only one. Others are heart and brain diseases like Alzheimer's and Parkinsons.
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It's like everybody is shooting something, and everybody's a filmmaker; everybody can shoot a cat video and post it. So the big thing now is - for people that have talent and have something to say, and are creative, and are capable of making something good - is how do they get attention to it?
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I will be conquered; I will not capitulate.
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We can see cities during the day and at night, and we can watch rivers dump sediment into the ocean, and see hurricanes form.
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A lot of people may know my face and know that I'm a good player on the football field, but they probably don't really know me as a person.
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Both the man of science and the man of action live always at the edge of mystery, surrounded by it.
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Cycling is a sport of the open road and spectators are lining that road.
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Obviously, for me, story is first and foremost, even in the face of the attractive idea of having all the cast there, or having a great piece of talent come to it.
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As an actor, you don't want to play a one-dimensional character.
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I think you're attracted to things that are different from yourself in a character because it's more interesting, and you get to play out a fantasy version of yourself.
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The history of all previous societies has been the history of class struggles.
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When we see that our problem is so complicated and so all-encompassing in its intent and content, then we realize that it is no longer a Negro problem, confined only to the American Negro; that it is no longer an American problem, confined only to America, but it is a problem for humanity.
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I left Beijing in the late 1980s to live in Hong Kong because, having been blacklisted by the government, I couldn't publish my works on the mainland.
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I would like to think that I curse expertly - it's not something that I do without considering it. I never curse without intending to; it's not something I resort to because of inability to articulate or find the correct word.
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I remember seeing the first Astaire-Rogers musical on television, and I couldn't believe how beautiful it was. It dawned on me that you don't have to wear a cowboy hat to be a man.
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I consider our music a catalyst, something that might spark a thought or a question.
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I love insane, stupid comedy, but I can only make it work if it's a character I can give some history to and make real. Like the guy I played in 'Little Miss Sunshine.' He's a maniac, but to me he was absolutely believable.
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To me, movies and music go hand in hand. When I'm writing a script, one of the first things I do is find the music I'm going to play for the opening sequence.
