Quentin Tarantino Quotes
The film [Django] really has a lot of ups and downs, and taps into a lot of different emotions. To me, the trick was balancing all those emotions, so that I could get you where I wanted you to be by the very end. I wanted the audience cheering in triumph at the end.
Quotes to Explore
-
Everything I do, I go to black people. If I have a problem at the airport, I'll go to the black ticket agent. I hope they notice me because I'll get better service. If I'm at a restaurant, I look for the black waiter. Rent-a-Car, give you the upgrade.
Gary Owen
-
There is nothing that says unions have a God-given right to be there. We have to work at it and make ourselves relevant to every section of the workforce.
Frances O'Grady
-
I think there is a real misconception about Indian food being super spicy. And I know that's because when you go into an Indian restaurant, it is pretty spicy. But it doesn't have to be. In fact, my husband can't handle a lot of heat. I've had to temper my cooking so that he can eat with me.
Aarti Sequeira
-
I believe that it is my responsibility as the prime minister of Israel to do whatever can be done to exploit the unique opportunities that lie ahead of us to move towards peace. Not everything can be done by one act.
Yitzhak Rabin
-
I've been really lucky with the people that I've gotten to work with. I learn a lot from them, just by watching them.
Abigail Breslin
-
Always farm fresh eggs, never store bought.
T. J. Miller
-
I think a person has to just be herself.
Pat Nixon
-
I couldn't follow nobody's rules.
Quavo Migos
-
I've found that the most engaging and satisfying author events I've done are with other people, where the conversation is spontaneous. I think that is by far the better way to introduce and promote a book.
Gayle Forman
-
I think the American people want to see the interactivity between candidates and audiences, and tough questions posed by people and how you handle them under fire.
Jack Kemp
-
We develop our propensity to forgive or not to forgive by what we see illustrated at the early ages of our development.
T. D. Jakes
-
I love surprises - champagne and strawberries, all that pampering, romantic stuff. Guys ought to know how to pamper their women properly.
Danica McKellar
-
In Shakespeare, unique individuals repudiate the stereotypes demanded by the structure of the play: Shylock commands our sympathy, Barnardine refuses to be hanged. Individuals trump the category.
Iain McGilchrist
-
You can condemn and criticize religion... all those things are fine, but you can't mock and disrespect people.
Hamza Yusuf
-
But I was losing so much bone density that I would have been in grave danger. And I mean grave danger. If I had let it go just a few more years I could have broken my hip or spine just picking up my granddaughter.
Sally Field
-
Nobody in France would ever say 'He's a Jewish novelist' or 'She's a black novelist,' even though people do write about those subjects. It would look absurd to a French person to go into a bookstore and see a 'Gay Studies' section.
Edmund White
-
Although my art work was heavily informed by my design work on a formal and visual level, as regards meaning and content the two practices parted ways.
Barbara Kruger
-
After the Soviet Union collapsed, people thought I wasn't funny anymore.
Yakov Smirnoff
-
Some in my party threaten to send a message that they don't know a just war when they see it, and more broadly that they're not prepared to use our military strength to protect our security and the cause of freedom.
Joe Lieberman
-
I think there are some liberals who are extremely biased about Fox News and wish to shun it or wish to criticize any liberal who appears on Fox News. That, to me, is not a particularly liberal attitude.
Alan Colmes
-
Poems have a different music from ordinary language, and every poem has a different kind of music of necessity, and that's, in a way, the hardest thing about writing poetry is waiting for that music, and sometimes you never know if it's going to come.
C. K. Williams
-
Most of my books have always worked through juxtaposition, jumping through different point of views and time.
Colson Whitehead -
The film [Django] really has a lot of ups and downs, and taps into a lot of different emotions. To me, the trick was balancing all those emotions, so that I could get you where I wanted you to be by the very end. I wanted the audience cheering in triumph at the end.
Quentin Tarantino