Quentin Tarantino Quotes
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One of the things about writing a novel is you can do it any way you want. It's your voice that's important and I see absolutely no reason why a screenplay can't be the same. It makes it a hell of a lot easier when you're the writer and the director.
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I live in the Hollywood Hills. When I see a cop driving around there, I actually assume that he has my best interests at heart and that he has the best interests of my property at heart. I think if you'd go to Pasadena, they'd say the same thing. And I think if you knocked on doors in Glendale and asked them, they'd say the same thing.
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I'm very much a man of the moment. I can think about an idea for a year, two years, even four years all right, but what ever is going on with me the moment I write is gonna work it's way into the piece.
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ou know, if you want to see jackbooting Nazis in movies, you've got to watch American movies made at that time.
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What I would do is I would just remember the scene and I'd go home and I'd write out the scene from memory. And anything I didn't remember I would just fill in the blanks myself and then go and give it to a classmate and then we'd do it.
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Then they'd [Nazi] make movies against England, you know, in the same way, to help, you know, feather their nest for what they - their aggressions.
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What the internet has done is destroy film criticism. I would never have guessed that the profession of film criticism would be going the way of the dodo bird.
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Leni Riefenstahl was the one person Goebbels had no control over in the filmmaking community of Nazi Germany, and they despised each other. But because she was Hitler's favorite, she could do what she wanted. She was the only filmmaker that did not have to cow down to Joseph Goebbels.
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The way I write is really like putting one foot in front of the other. I really let the characters do most of the work, they start talking and they just lead the way.
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And when I first started writing, it was literally in acting classes. And what would happen is now it's really easy to get scripts and stuff but back then, you know, oftentimes you'd buy the novelization to a movie if you wanted to get an idea of what the scene, you know what happened in the scene.
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There was that last blast of Westerns that came out in the Seventies, those Vietnam/Watergate Westerns where everything was about demystification. And I like that about those movies.
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You always have to be keeping track, especially in this scenario [ The Hateful Eight], of where everybody is. They're pieces on a chess board.