Quentin Tarantino Quotes
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Some of the inspirations I had as far as following that story would be, like, say, "The Good, The Bad and The Ugly," the way they use the Civil War in that, or even the idea that - the movie that Leone was going to do before he died was going to be a movie about the battle of Stalingrad.
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What the internet has done is destroy film criticism. I would never have guessed that the profession of film criticism would be going the way of the dodo bird.
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Leni Riefenstahl was the one person Goebbels had no control over in the filmmaking community of Nazi Germany, and they despised each other. But because she was Hitler's favorite, she could do what she wanted. She was the only filmmaker that did not have to cow down to Joseph Goebbels.
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I live in the Hollywood Hills. When I see a cop driving around there, I actually assume that he has my best interests at heart and that he has the best interests of my property at heart. I think if you'd go to Pasadena, they'd say the same thing. And I think if you knocked on doors in Glendale and asked them, they'd say the same thing.
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I really become the characters when I'm writing them. I'll become one or two of them more than others, I'm consistent that way.
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But the idea of using the Apache resistance, one, it works effective to actually get German soldiers to think of Jews that way. You know, and they're not just any Jews. They're the American Jews. They're Jews with entitlement.
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If you were a U.S. Cavalry guy and you thought you were going to be captured by the Apaches, you might kill yourself. If they were with their wives and they thought they were going to be captured, they would shoot their wives for fear of the Apaches getting them.
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To really get to know people and discover humanity, which is what I truly think writers and actors do, you've got to be interested in other human beings, you have to be interested in humanity in general, and you have to do some discovering of humanity and different people.
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There was that last blast of Westerns that came out in the Seventies, those Vietnam/Watergate Westerns where everything was about demystification. And I like that about those movies.
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One of the things about writing a novel is you can do it any way you want. It's your voice that's important and I see absolutely no reason why a screenplay can't be the same. It makes it a hell of a lot easier when you're the writer and the director.
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Don't write what you think people want to read. Find your voice and write about what's in your heart.
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I remember, like, literally saying - watching some cowboy-and-Indian movie with my mother, and I go, so, if we were back then, we'd be the Indians, right? She goes, yup, that's who we'd be. We wouldn't be those guys in the covered wagons. We'd be the Indians.