Quentin Tarantino Quotes
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You're an actor, you want to do a scene in class. But one of the things I've always had is I've always had a really good memory. So I would go and watch a movie and then I would see a scene in the movie and I go, hey I'd like to do that in class this Wednesday.
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Watch the movie closely, and you’ll see how personal it is. Here’s a film in which cinema brings down the Nazi regime, metaphorically and literally. What could possibly be better than that? In this story, cinema changes the world, and I fucking love that idea!
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A lot of them [Germaqn actors] could come in and we could speak for the next nine hours in English and there would be no problem. It was - but it was - English wasn't the language for them to read poetry in. And there is a - there's a poetic quality to my dialogue.
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I mean, of course "King Kong" is a metaphor for the slave trade. I'm not saying the makers of "King Kong" meant it to be that way, but that's what, that's the movie that they made - whether they meant to make it or not.
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That's how it always is with me: the thing that sets me down to start writing is usually not what I end up doing. Because, as much as I love genre, and I try to deliver the goods, I go off from it. I go do my own thing.
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Batman is not a very interesting character. For any actor. There is simply not much to play. I think Michael Keaton did it the best, and I wish good luck to Ben Affleck. But, you know who would have made a great Batman? Alec Baldwin in the '80s.
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I definitely have some colleagues that I respect, and we get together from time to time. But I actually have just like genuine friends.
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If the film isn't suspenseful, i.e. the pressure cooker situation of what's going on in the movie, if that's not part of it, if the threat of violence and the temperature isn't always going up a notch every scene or so, then the movie is going to be boring. It's not going to work.
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I want to have more original-screenplay Oscars than anybody who's ever lived! So much, I want to have so many that - four is enough. And do it within ten films, all right, so that when I die, they rename the original-screenplay Oscar 'the Quentin.' And everybody's down with that.
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Sure, and that's the cool thing about DVD: you can pack stuff on the disc that would've been too much for the big screen because actually it would've only interested yourself and a bunch of fanboys, who wanna know everything.
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I always thought it was a B.S. thing that they didn't show it [scalping] in other Westerns, but especially if you're going to really go with the idea that we're desecrating the bodies, and the idea is to strike fear in the hearts of other German soldiers, then we had to see what they're talking about.
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What if a kid goes to school after seeing Kill Bill and starts slicing up other kids? You know, I'll take that chance! Violent films don't turn children into violent people. They may turn them into violent filmmakers but that's another matter altogether.
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The other thing is even the Jews in the course - even though metaphorically aligning themselves with Indians, and, you know, you have genocide aligning itself with another genocide.
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I'm not saying it's a bad thing to do, but when you try to deal with prescient themes in the present, that is what you're doing.
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Once a lonely caterpillar sat and cried,
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Unfortunately, every time I have somebody play an instrument, it's always like, they don't know how to do it.
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Clark Kent is how Superman views us. And what are the characteristics of Clark Kent. He's weak... he's unsure of himself... he's a coward. Clark Kent is Superman's critique on the whole human race.
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I hope to give you at least 15 more years of movies. I`m not going to be this old guy that keeps cranking them out. My plan is to have a theater by that time in some small town and I will be the manager this crazy old movie guy.
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I think that's, it's my way of writing, it's my, it's part of you know for lack of a better word, God-given talent that I have that I'm really good at that kind of dialogue.
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I want to risk hitting my head on the ceiling of my talent. I want to really test it out and say: O.K., you're not that good. You just reached the level here. I don't ever want to fail, but I want to risk failure every time out of the gate.
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If I'm on an airplane, a Kate Hudson movie is what I'm looking for. I'll sit there and I'll cry. I think it's the altitude or something like that.
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Suddenly, Westerns, which were our action films and what the working man went to see to blow off steam and have a good time, became boring to most people growing up from the Eighties on, because they're kind of pastoral.
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Emotion will always win over coolness and cleverness. It's when a scene works emotionally and it's cool and clever, then it's great. That's what you want.
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To me "King Kong" is a metaphor for America's fear of the black male. And to me that's obvious. All right? So I mean that was one of the first things I said when I was talking to a friend of mine after he saw Peter Jackson's version of "King Kong."