Quentin Tarantino Quotes
-
I'm not saying it's a bad thing to do, but when you try to deal with prescient themes in the present, that is what you're doing.
-
The other thing is even the Jews in the course - even though metaphorically aligning themselves with Indians, and, you know, you have genocide aligning itself with another genocide.
-
Apache have the strongest nation in the world behind them. So we're going to inflict pain where our European aunts and uncles had to endure it. And so the fact that you could actually get Nazis scared of a band of Jews, that's - again, that's a gigantic psychological thing.
-
Once a lonely caterpillar sat and cried,
-
I want to risk hitting my head on the ceiling of my talent. I want to really test it out and say: O.K., you're not that good. You just reached the level here. I don't ever want to fail, but I want to risk failure every time out of the gate.
-
My writing's like a journey. I'll know some of the stops ahead of time, and I'll make some of those stops and some of them I won't. Some will be a moot point by the time I get there. You know every script will have four to six basic scenes that you're going to do. It's all the scenes where your characters really come from.
-
If you love cinema as much as I do, and not many people do, and if you are focused and actually have something to offer, you will get somewhere with it.
-
I just don't feel the whole white guilt and pussy-footing around race issues. I'm completely above all that. I've never worried about what anyone might think of me 'cause I've always believed that the true of heart recognize the true of heart.
-
Sometimes things need to get really bad before they can ever get better. Really bad can become untenable if enough people get sick of it. That was a big thing about why I ended up taking part in that rally [against police brutality] and ended up voicing my opinion and declaring what side I was standing on.
-
The next movie will be in Mandarin. I enjoyed shooting all the Japanese stuff in Kill Bill so much that this whole film will be entirely in Mandarin.
-
I see characters lying all the time in a lot of Hollywood movies. They can't do this because it would affect the movie this way or that or this demographic might not like it. To me a character can't do anything good or bad, they can only do something that's true or not.
-
I do like putting scenario and story first, and I actually like masking whatever I want to say in the guise of genre.
-
I am a writer, I deal in words. There is no word that should stay in word jail, every word is completely free. There is no word that is worse than another word. It's all language, it's all communication.
-
I'll write for a while and then I'll find an appropriate song and in a weird way the music will keep me in the mood. I find music to define the mood of the movie, the rhythm the movie is going to play in.
-
I don't want to deal with the underneath while I'm, you know, while I'm making it or while I'm writing it or when I'm making it. Because again, I don't want to hit these nails on the head too strongly.
-
Emotion will always win over coolness and cleverness. It's when a scene works emotionally and it's cool and clever, then it's great. That's what you want.
-
I appreciate the female foot, but I've never said that I have a foot fetish. But I am a lower track guy. I like legs' I like booties'. I have a black male sexuality.
-
I've never used High Definition video, never, ever, ever, ever, ever. And I never will. I can't stand that crap.
-
Oh gosh, well, you know, growing up in the '70s being a young boy there, you know, there were still exploitation movies, where, you know, were, you know, still opened up every week and, you know, played - sometimes they would play it at the local, you know, mall theater.
-
I think it almost all has to do with coming at writing from an acting perspective, because I didn't, like, study writing. I studied acting.
-
I didn't want my script to get too out of control like that. So I actually made it a point not to do stuff like that, to pretty - to keep it more sparse than it's been in the last few years, or the last decade.
-
By the time I was doing "Kill Bill," it was so much filled with prose that, you know, I start seeing why people write a screenplay and make it more like a blueprint, because basically I had written - in "Kill Bill," I had basically written a novel, and basically every day I was adapting my novel to the screen on the fly, you know, on my feet.
-
I always wanted to do a movie that deals with America's horrific past with slavery, but the way I wanted to deal with it is - as opposed to doing it as a huge historical movie with a capital H - I thought it could be better if it was wrapped up in genre.
-
Clark Kent is how Superman views us. And what are the characteristics of Clark Kent. He's weak... he's unsure of himself... he's a coward. Clark Kent is Superman's critique on the whole human race.