Quentin Tarantino Quotes
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I don't believe you should stay onstage until people are begging you to get off. I like the idea of leaving them wanting a bit more.
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The good ideas will survive.
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I love Elmore Leonard. To me, True Romance is basically like an Elmore Leonard movie.
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When people ask me if I went to film school I tell them, 'no, I went to films.'
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When I was on The View, Barbara Walters was asking me about the blood and stuff, and I said, 'Well, you know, that's a staple of Japanese cinema.' And then she came back, 'But this is America.' And I go, 'I don't make movies for America. I make movies for planet Earth.'
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I'm probably only going to make 10 movies, so I'm already planning on what I'm going to do after that. That's why I'm counting them. I have two more left. I want to stop at a certain point. What I want to do, basically, is I want to write novels, and I want to write theatre, and I want to direct theatre.
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But can I tell the genuine-article Italian from the poseur Italian? No. To me they all seem like poseurs.
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Between men and women, all the time there is tension. I feel it. A woman walks down the street, and I'm going back, and suddenly there is this tension. I just walk down the street, we were just on the way. And she thinks I'm a rapist. And now I feel guilty, even though I'm a damn poor did not.
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If the film isn't suspenseful, i.e. the pressure cooker situation of what's going on in the movie, if that's not part of it, if the threat of violence and the temperature isn't always going up a notch every scene or so, then the movie is going to be boring. It's not going to work.
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Watch the movie closely, and you’ll see how personal it is. Here’s a film in which cinema brings down the Nazi regime, metaphorically and literally. What could possibly be better than that? In this story, cinema changes the world, and I fucking love that idea!
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There is no other genre that deals with America better, in a subtextual way, than the Westerns being made in the different decades. The '50s Westerns very much put forth an Eisenhower idea of America, whereas the Westerns of the '70s were very cynical about America.
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I've always seen in Westerns it described or it's shown very vaguely, but I wanted this - I want us to show what they're doing to them, so you can actually see it. And if you notice in the movie, you know, it goes even beyond just scalping and stuff.
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I actually want to do a theatrical adaptation of 'Hateful Eight' because I actually like the idea of other actors having a chance to play my characters and see what happens from that.
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I'm very happy with the way I write. I think I do it good. But I've never really considered myself a writer.
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I hate school at that time. Now, little did I know that actually if I had stayed in school I would've actually really liked college. I wasn't aware enough to know that the junior high I was suffering through would be school at its worst.
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I really become the characters when I'm writing them. I'll become one or two of them more than others, I'm consistent that way.
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Violence in real life is terrible; violence in movies can be cool. It's just another colour to work with.
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I'm wondering if the crew [from'The Hateful Eight'] had some sort of nickname for me. I am blanking at anything truly funny, so I'll just say, 'No Phone Quentin'.
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I come from a mixed family, where my mother is art house cinema and my father is B-movie genre cinema. They're estranged, and I've been trying to bring them together for all of my career to one degree or another.
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To me, torture would be watching sports on television.
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Apache have the strongest nation in the world behind them. So we're going to inflict pain where our European aunts and uncles had to endure it. And so the fact that you could actually get Nazis scared of a band of Jews, that's - again, that's a gigantic psychological thing.
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Instead of critics reviewing my movies, now what they're really doing is trying to match wits with me. Every time they review my movies, it's like they want to play chess with the mastermind and show off every reference they can find, even when half of it is all of their own making.
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One of the songs that stayed in my head that I really considered a lot was an old folk song called 'John Brown' - not the abolitionist John Brown, but the one that Bob Dylan has covered and sung before. It's about a boy coming home from the Civil War, or maybe World War I even, and about his Mother seeing him all destroyed.
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Just because I was at an anti-police brutality protest, doesn't mean I'm anti-police. We want justice, but stop shooting unarmed people.