Quentin Tarantino Quotes
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It's a standard staple in Japanese cinema to cut somebody's arm off and have red water hoses for veins, spraying blood everywhere.
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I'm a historian in my own mind.
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I will never do 'Pulp Fiction 2,' but having said that, I could very well do other movies with these characters.
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If the film is nominated for awards, and even if it wins them, it doesn't make the movie any better, just as if it's ignored that doesn't make the movie any worse.
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I was kind of excited about going to jail the first time and I learnt some great dialogue.
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Novelists have always had complete freedom to pretty much tell their story any way they saw fit. And that's what I'm trying to do.
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I've always thought my soundtracks do pretty good, because they're basically professional equivalents of a mix tape I'd make for you at home.
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I wasn't trying to top Pulp Fiction with Jackie Brown. I wanted to go underneath it and make a more modest character study movie.
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I don't believe you should stay onstage until people are begging you to get off. I like the idea of leaving them wanting a bit more.
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I don't really know if I'm writing the kind of roles that Meryl Streep and Julianne Moore would play. Jessica Lange on 'American Horror Story' is a little bit more my cup of tea.
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There is no other genre that deals with America better, in a subtextual way, than the Westerns being made in the different decades. The '50s Westerns very much put forth an Eisenhower idea of America, whereas the Westerns of the '70s were very cynical about America.
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The good ideas will survive.
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I definitely have some colleagues that I respect, and we get together from time to time. But I actually have just like genuine friends. Paul Thomas Anderson is a genuine friend. Robert Rodriguez is a genuine friend. Rick Richard Linklater is a genuine friend. Eli Roth is a genuine friend. And so is Edgar Wright.
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It's my job to look at other people's humanity and it's my job to, 24/7, look at my life and listen to everything everyone says, watching their faces, the little idiosyncratic aspects of human beings - it's like a sponge, I take it in.
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I have an idea for a Godzilla movie that I've always wanted to do. The whole idea of Godzilla's role in Tokyo, where he's always battling these other monsters, saving humanity time and again - wouldn't Godzilla become God? It would be called 'Living Under the Rule of Godzilla.'
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I want to have the fun of doing anime and I love anime, but I can't do storyboards because I can't really draw and that's what they live and die on.
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I always write these movies that are far too big for any paying customer to sit down and watch from beginning to end, and so I always have this big novel that I have to adapt into a movie as I go.
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Sergio Leone was a big influence on me because of the spaghetti westerns.
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I don't really consider myself an American filmmaker like, say, Ron Howard might be considered an American filmmaker. If I'm doing something and it seems to me to be reminiscent of an Italian giallo, I'm gonna to do it like an Italian giallo.
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If I wasn't a film-maker, I'd be a film critic. It's the only thing I'd be qualified to do.
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I think we spent 60-something million on 'Hateful Eight,' which is actually more than I wanted to spend, but we had weather problems. And I wanted to make it good.
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A lot of them [Germaqn actors] could come in and we could speak for the next nine hours in English and there would be no problem. It was - but it was - English wasn't the language for them to read poetry in. And there is a - there's a poetic quality to my dialogue.
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When people ask me if I went to film school I tell them, 'no, I went to films.'
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I'm probably only going to make 10 movies, so I'm already planning on what I'm going to do after that. That's why I'm counting them. I have two more left. I want to stop at a certain point. What I want to do, basically, is I want to write novels, and I want to write theatre, and I want to direct theatre.