Carolina Kluft (Carolina Evelyn Klüft) Quotes
Quotes to Explore
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And there is no trade or employment but the young man following it may become a hero.
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I didn't know I was compared to Elizabeth Montgomery, but I think that I'm in very good company with her.
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I have to say that getting to tackle Maria in 'The Sound of Music' at Carnegie Hall was surreal. When I heard my voice, it was all I could do to keep myself from doing a British accent and sound like Julie Andrews!
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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I don't want to be the type of person to have my relationships plastered in magazines.
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Daring is not safe against daring men.
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I'm drawn in some strangely natural way to immersing myself in a milieu whose rules I don't understand, where there are things you can't access simply by being intelligent or doing well in school.
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I remember before the Olympics, I was asked, 'What do you think you're going to do in the Olympics?' and I said, 'I'm hoping I'm going to win a medal, and, if possible, it's going to be a gold one.'
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I am going to Rio with a chance of a medal.
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My hand is the extension of the thinking process - the creative process.
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Every crowd has a silver lining.
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My aim is that every sermon series I preach is prepared as though I were teaching a college-level course.
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The causes of continuity are a priori within the scope of the observer, but the causes of change in time are not. It is better not to attempt giving an exact account at this point, but to restrict discussion to the shifting of relationships in general. Time changes all things; there is no reason why language should escape this universal law.
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I don't feel like I need a break from the theater, ever.
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For me, the opposite of scarcity is not abundance. It's enough. I'm enough. My kids are enough.
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I was never OJ's closest pal, and the media would say that over and over, but I wasn't his enemy either.
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My parents were not musical, and they were not effervescent people; everything was very quiet. The music that I played was loud; it used to drive them up the wall. My father died, and that was a tragedy for everybody, but suddenly I didn't have anybody to stop me from doing what I wanted to do.
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My mother-in-law, Nanny, spent her working years as a bookkeeper at a medical office in Columbus, Ohio. Like so many Americans, she worked hard and paid into Medicare, knowing that one day she could count on having high-quality health care when she needed it most.
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'A Tuna Christmas' is the second in a series of plays created by Joe Sears and Jaston Williams featuring the fictional town of Greater Tuna, the third-smallest town in Texas. What makes these plays so hysterically funny is the accurate portrayal of small-town life in the Lone Star State.
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I wasn't scouted in the mall as a kid; it just kinda happened naturally 'cause of Instagram and New York and being visible, which is cool. Things just started rolling in. Timing was in my favour 'cause the Internet acted as a catalyst for the fashion industry to change and be more open 'cause people demanded it.
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As long as you are trying to become, trying to get somewhere, trying to attain something, you are quite literally moving away from the Truth itself.
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And there is a time where you can be beyond yourself. You can be better than your technique. You can be better than most of your usual ideas. And this is a whole other category that you can get into.
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I'm not disappointed (at not leading), I'm just trying my best.
