Carolina Kluft (Carolina Evelyn Klüft) Quotes
Quotes to Explore
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And there is no trade or employment but the young man following it may become a hero.
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Millions of us, myself included, go back generations in this country, with ancestors who put in the painstaking work to become citizens. So we don't like the notion that anyone might get a free pass to American citizenship.
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I didn't know I was compared to Elizabeth Montgomery, but I think that I'm in very good company with her.
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I have to say that getting to tackle Maria in 'The Sound of Music' at Carnegie Hall was surreal. When I heard my voice, it was all I could do to keep myself from doing a British accent and sound like Julie Andrews!
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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I don't want to be the type of person to have my relationships plastered in magazines.
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Daring is not safe against daring men.
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I'm drawn in some strangely natural way to immersing myself in a milieu whose rules I don't understand, where there are things you can't access simply by being intelligent or doing well in school.
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I remember before the Olympics, I was asked, 'What do you think you're going to do in the Olympics?' and I said, 'I'm hoping I'm going to win a medal, and, if possible, it's going to be a gold one.'
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I am going to Rio with a chance of a medal.
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My hand is the extension of the thinking process - the creative process.
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We should not have the U.S. government buying stock in American industries - the financial industry or any other industry.
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Every crowd has a silver lining.
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My aim is that every sermon series I preach is prepared as though I were teaching a college-level course.
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The causes of continuity are a priori within the scope of the observer, but the causes of change in time are not. It is better not to attempt giving an exact account at this point, but to restrict discussion to the shifting of relationships in general. Time changes all things; there is no reason why language should escape this universal law.
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I don't feel like I need a break from the theater, ever.
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For me, the opposite of scarcity is not abundance. It's enough. I'm enough. My kids are enough.
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I was never OJ's closest pal, and the media would say that over and over, but I wasn't his enemy either.
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My parents were not musical, and they were not effervescent people; everything was very quiet. The music that I played was loud; it used to drive them up the wall. My father died, and that was a tragedy for everybody, but suddenly I didn't have anybody to stop me from doing what I wanted to do.
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I'm not playing for other musicians. We're trying to reach the guy who works all day and wants to spend a buck at night. We'll keep him happy.
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The psychedelic experience is simply a compressed instance of what we call understanding, so that living psychedelically is trying to live in an atmosphere of continuous unfolding of understanding, so that every day you know more and see into things with greater depth than you did before. This is a process of education.
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I don't know how anyone could stop working.
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The two favorite episodes of 'Lost' that Adam and I wrote were 'Dave,' which was where Hurley has an imaginary friend, and 'Trisha Tanaka is Dead,' where Hurley finds a van and starts it.
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I'm not disappointed (at not leading), I'm just trying my best.
