Ricky Reed (Eric Burton Frederic) Quotes
Every collaboration with a new person is like when you take a bin of Legos and dump them on the floor. All of the pieces to work with are right there. A floor full of Legos is full of possibilities.
Quotes to Explore
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I enjoy mediation. I think the artist's position is often to mend the things we feel are broken. Whether that's between two cultures or two thoughts. We're always trying to reach, trying to expand something.
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I turned a lot of people in white America - and not just white America, but middle-class America - into hip-hoppers, you know?
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There is always shame in the creation of an object for the public gaze.
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I write synopses after the book is completed. I can't write it beforehand, because I don't know what the book's about. I invent something for my publisher because he asks for one, but the final book ends up very differently.
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Rock and Roll has no beginning and no end for it is the very pulse of life itself.
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Eurasia is home to most of the world's politically assertive and dynamic states.
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I mean the word proof not in the sense of the lawyers, who set two half proofs equal to a whole one, but in the sense of a mathematician, where half proof = 0, and it is demanded for proof that every doubt becomes impossible.
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Wherever there's an all-encompassing 'always,' 'all' or 'never' in your life, it's a sign that your mischievous subconscious is setting you up for failure by consistently leading you back toward these repeat performances.
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I find that with any good run on a show with good writers, they put something on paper, and you put something back on film, and that affects what they put on the paper the next time.
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Force-backed humanitarianism, which relies on rational influence over events in other countries, may have been a more feasible project in the bipolar era of the Cold War, with its relatively defined and stable web of alliances and proxies.
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I like mellow music. I like some jazz. But I'm not a big hard rock guy.
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I don't think that there's much that sets me apart from other musicians, but I think there are definitely things that set me apart from other kinds of artists. I feel that musicians do it their own way, write their own songs and put on a great live shows.
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Any press is good press. So keep on ragging me.
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The fact that I have to set things to record seems idiotic. And channel guides - I get home, and I want to watch a Duke basketball game; why do I have to go hunting to find out what channel it's on? Why can't I just say, 'I want to watch Duke basketball.' Or, even better, why doesn't the system know that?
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I have yet to meet a carnivore who doesn't love a sausage roll.
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When I was 18, I left Dublin and moved to Paris. I didn't speak French. I didn't know anyone. I felt like a fish out of water.
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I looked at my hands to see if I was the same person. There was such a glory over everything. The sun came up like gold through the trees, and I felt like I was in heaven.
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Love to me has meant different things at different junctures of my life. I'm not a hopeless romantic.
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Love is a gross exaggeration of the difference between one person and everybody else.
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I'm a relatively cheap person who, to me, it's not cool to overspend; it's cool to get a great deal.
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When you're listening to radio and hear the same 20 songs over and over and over, you want a break from it. Sometimes you don't want to hear something that sounds just like everything else on the radio. Eventually, if you hear the same sounds and the same musicians and the same mixes and all of that, it will start to sound like elevator music.
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I always take a cashmere blanket, and I have pictures of my family in my passport holder.
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There may be more poetry than justice in poetic justice.
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Every collaboration with a new person is like when you take a bin of Legos and dump them on the floor. All of the pieces to work with are right there. A floor full of Legos is full of possibilities.
