Carolyn Coman Quotes
We write to find out what we didn’t know we knew. We write to know deeper and truer. We write to connect the dots: a whole new constellation.
Quotes to Explore
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I've always written songs that were confessional, acoustic, wordy - my writing style matches my personality. The music always has to match the mouth it comes out of.
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From 1999 on - until 2003 - I covered publishing in a weekly column for Wired.com and wrote for several other publications - altogether writing over 150 articles.
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My favorite thing in life is writing about life, specifically the parts of life concerning love. Because, as far as I'm concerned, love is absolutely everything.
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I'm so damn boring. I like reading and writing and making coffee. And walking. Barry Jenkins likes long walks.
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I'm a pretty easygoing person, and it bleeds into the music. Even if I'm writing the most personal song, it's not going to come out totally serious; there's always a little tongue in the cheek.
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Octavia Butler often described herself as an outsider, but within science fiction, she was loved as an insider, someone who was a fan first and came to S.F. writing as an enthusiastic reader.
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I made a decision when I started writing 'All is Song' to take the compliments I had for 'The Wilderness' and try to be confident and not overwhelmed by it.
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By and large, the critics and readers gave me an affirmed sense of my identity as a writer. You might know this within yourself, but to have it affirmed by others is of utmost importance. Writing is, after all, a form of communication.
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I'm not happy when I'm writing, but I'm more unhappy when I'm not.
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You get so caught up in what you're writing - action sequences tend to do that more than anything else because you're living it, and feeling for your characters.
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When I started writing, it felt good, and I knew I was in the right genre.
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I think I'm genuinely sincere, and that's what hopefully makes it work. I take that very seriously when I'm writing.
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I occasionally play works by contemporary composers and for two reasons. First to discourage the composer from writing any more and secondly to remind myself how much I appreciate Beethoven.
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Writing a song to be a single is hard, and I don't like to focus on that because you can get caught up in making something just terrible, which is really easy to do if you're focused on making it a single. It's more fun when you focus on what excites you musically.
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I get a little myopic in the act of doing any writing. I think I'm not as interested or not as able to write about balance, because I think there's something I want to try to get at. I'm trying to get at something about the experience of growing up or about families.
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As I was writing, I realised I wasn't sufficiently extrovert to gather enough interesting souls with tall tales around me. I was no Louis Theroux. But neither was I interested in exploring my inner life in public, in the manner of a Jonathan Raban.
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The entire trendy foodie world - food writing, food television, celebrated restaurants - is all about food for the rich. But the most important food issue is how to feed the poor or the hardworking middle class.
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I've been writing full-time since 1978.
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When I come across writing that really moves me and inspires me, my reaction is twofold. I want to share it with others and I want to draw something that is worthy of it. I love finding quotes that stop people-that really make them think. And I love the idea that my work, combined with meaningful words, can provide comfort or inspiration to someone.
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Once I've written a song, I sometimes refine them.
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There's always a latent or inferred image in my writing. And I can almost always assume if I do a drawing that it will eventually have text.
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We write to find out what we didn’t know we knew. We write to know deeper and truer. We write to connect the dots: a whole new constellation.
