Carolyn Forche Quotes
A thing may in itself be the finest piece of writing one has ever done, and yet have absolutely no place in the manuscript one hopes to publish.

Quotes to Explore
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Love cures people - both the ones who give it and the ones who receive it.
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I wouldn't do a film like 'The Dirty Picture.' I have a husband and kids, and I won't be able to do justice to such a role. You need a certain mentality and ease to carry such a character.
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If you hear me out, I believe you'll discover that what motivates me more than any other issue is the defense of everyone's rights.
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Actually, my dog I think is the only person who consistently loves me all the time.
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There are Katy-Perry-in-concert-type pieces that I look at and am like, 'This dress has a hundred cupcakes on it – I want it!' My mom will always talk me down.
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I get even more nervous singing when everyone's fallen silent, but I really try to communicate the meaning of the lyrics, and there's people there listening to that, and if they're moved by it, then I'm moved as well.
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I've always written about adultery because it raises the question of transgression and trouble.
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All issues of crime are better addressed at the state level.
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I've been fortunate to work with some really smart people. Larry Page is an extremely smart guy, most probably one of the smartest people I've worked with.
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I did a book in 1996, an overview of black history. In that process I became more aware of a lot of the black inventors of the 19th century.
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Sleeping is forbidden at the age of 22. It's all work and no play.
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Divorce in a young-adult novel means what being orphaned meant in a fairy tale: vulnerability, danger, unwanted independence.
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The bigger you become of a celebrity, the bigger the expectations, the pressure on you - to make change, to say what people want, to target the people they want to target. Fame is toxic; it is quite toxic.
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Personality maintains its discreetness by an act of will. Otherwise one person will flow helplessly into another.
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When a Jew visits Jerusalem for the first time, it is not the first time; it is a homecoming.
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The Marianne Vos Route goes through the seven villages of Aalburg, where I grew up, and celebrates my World and Olympic titles with a number of benches along the route, where you can stop and rest your legs. You'll see the white windmill in Meeuwen and, in Babylonienbroek, a statue of the silver bike I rode to celebrate my Olympic track win.
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One's happiness depends less on what he knows than on what he feels.
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I think I could drink my own blood. Is that weird?
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It is time for a New Direction for our nation's energy policies.
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But most commonly, it's one poem that I work on with a lot of intensity.
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The thing about living in New York as a writer is that you hit that age where it feels like everyone has a book all at the same time. It's like that one year where you're invited to twenty weddings.
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With each book, I'm trying to do something that terrifies me.
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“You excuse yourself saying, “I cannot perform acts of charity because I have no money.” Why do you think you need money to practice charity? What about the charity of a smile and a warm handshake, the charity of human compassion and understanding, the charity of a visit or a remembrance in your prayers?”
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A thing may in itself be the finest piece of writing one has ever done, and yet have absolutely no place in the manuscript one hopes to publish.