Heidi India Range Quotes
Quotes to Explore
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Inevitably, I think the people that want to work with me are also the people that I want to work with.
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I'm the most Colombian of the Colombians, even though I've lived 47 years outside of Colombia. I've lived 13 years in New York, and I never did a painting about New York. I've lived in France more than 30 years, and I've never painted Paris.
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Any time there's a scandal, we always try and get involved.
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I think back to the 1990s, when I joined the Army, and all those peacetime years that we had, thinking, 'Will we ever go into combat?'
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A girl's best friend is her pride.
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One of the things that would be great is to some day have so many women comedy writers that we wouldn't say there's just one type of female humor. There's lots.
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Whether I'm wearing lots of makeup or no makeup, I'm always the same person inside.
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I love the immediacy of those old analog machines; it's really inspiring. You just set them up to play, and they go, playing the same thing until you switch the pattern.
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When people are in love, I don't see anything wrong with it in the world. If they choose to live their lives and get married, why should we interfere? A lot of people don't agree with me, but that's how I feel.
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I think the art world heightens the intensity of desires for inclusion, and the humiliations of exclusion, which is why it's a great place to circulate when you are in the lucky position, as I am, of not wanting or needing anything from anyone.
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But the character was so successful, that first one, that they wrote him again and he came in right at the end of the first year in a show called THE BOX. I was up for the Emmy for that one too.
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There are over 7,000 different types of proteins in typical eukaryotic cells; the total number depends on the cell class and function.
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CERN is a concrete example of worldwide, international co-operation - and a concrete example of peace. The place which makes, in my opinion, better scientists, but also better people.
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When we make the show, we are always talking about how the show is really in between what we make and what the viewer thinks of it.
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I couldn't control Arnold Palmer, Gary Player, Tom Watson or Lee Trevino. The only person I could control was me. The only person I could prepare for events was me. And if I didn't play well, I didn't play well, and I wasn't going to compete.
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When we foster an economy without hope, we guarantee that a segment of our population will be destined to know homelessness on a permanent basis, and not for the one night I voluntarily spent at a shelter.
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How fit is he to sway That can so well obey ('Horatian Ode,' 83-84),
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If you attack the establishment long enough and hard enough, they will make you a member of it.
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I felt it necessary to evolve entirely new concepts (of form and space and paintings) and postulate them in an instrument that could continue to shake itself free from dialectical perversions. The dominant ones, Cubism and Expressionism, only reflected the attitudes of power or spiritual debasement of the individual.
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I wanted to create a body of work that I was proud of. It's come from honesty and integrity, without forcing anything from myself, the ideas had to come instinctively and organically. Whether that translates to people in that way, it's kind of out of my hands now.
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People always assume I went to public school, which I didn't, so that immediately puts me somewhere.
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When I was coming of age, I remembered reading and studying the initial ideas within the feminist movement. There was this idea with my parents' generation that in order to find equality, a woman would need to behave like a man.
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I keep trying to understand the phenomenon of why adults are so literal when children are so imaginative. Toys are a caricature of reality.
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I've had enough of people thinking we're all bitches...
