Kaitlin Austra Stelmanis Quotes
I was listening to a lot of really early house music tracks. Like Chicago house and Detroit. And Marshall Jefferson has a track probably from 1980 - somewhere around there - that doesn't actually have any electronic instruments, no drum machines, nothing. Just a drummer and a piano player and they're playing this house music, but they're actually playing it. I really love that aesthetic and wanted to bring that into the album.
Quotes to Explore
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I don't have a phone, but I do have an iPad.
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I've been working on this feature script for Master Class, a play by Terrence McNally that won a lot of Tonys.
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It is more noble to give yourself completely to one individual than to labor diligently for the salvation of the masses.
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On the night of the winter solstice, when the dead get their annual reprieve, they go up to the 24-hour donut shop and wedding chapel to get hitched. Marriage is a good and proper pursuit for dead people. For a while, it relieves the dark, shuddering loneliness of the afterlife.
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Cartooning was a good fit for me. And yet now, years later, I almost never think about it.
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As the law minister, I had ensured that the government's right to natural resources was protected. The result was evident. The honourable Supreme Court gave the landmark decision in RIL vs RNRL case that the government is the owner of all natural resources.
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El Salvador is a democracy so it's not surprising that there are many voices to be heard here. Yet in my conversations with Salvadorans... I have heard a single voice.
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It's never been seen that a street artist go as far as I've gone - keep consistent without wanting to do a bunch of ventures outside of music to keep my face out there.
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Hollywood would make a holocaust an animated comedy if people would pay to see it; they don't care... they just want your money.
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One of the goals of the Feminist Elite is to reinforce to women the idea that men are obsolete.
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The thing about being an actor is that every new job is a new challenge. Sometimes you'll have a shot, and it doesn't work. Sometimes it'll work better than you expected.
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A lot happens in 20 years.
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I do not feel remorse. Everybody makes mistakes in war.
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Silk Road to Ruin has all the analysis and it's structured very well. I rely on my notes more and I use direct quotes. But there's nothing like writing about it right away.
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We have these old fashioned ideas. For instance, here in America, we talk about democracy - but we don't have a democracy. There are elements of a democracy.
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Athletes these days are too robotic. People like to see performances filled with emotion. In my career I tried to be amusing, to differentiate myself from the other champions.
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As an actress, as you get older, you find yourself in a situation where you play mothers or women who are hoping to be mothers.
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I always have a book that I write during competition. I need it with me, just to read back and reflect and look forward. If I'm feeling anxious, it helps me.
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In Evita I wasn't really hugely involved with it. I gave a little bit of help but they needed a bit of technical help on the movie and so some of my music people went in at the end of the movie and helped out with it.
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Love is always being given where it is not required.
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Like all my family and class, I considered it a sign of weakness to show affection; to have been caught kissing my mother would have been a disgrace, and to have shown affection for my father would have been a disaster.
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Error-prone or biased artificial-intelligence systems have the potential to taint our social ecosystem in ways that are initially hard to detect, harmful in the long term, and expensive - or even impossible - to reverse.
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I feel really comfortable playing to people who've never heard Beach House before. We've always had fun opening because you get to try to impress people.
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I was listening to a lot of really early house music tracks. Like Chicago house and Detroit. And Marshall Jefferson has a track probably from 1980 - somewhere around there - that doesn't actually have any electronic instruments, no drum machines, nothing. Just a drummer and a piano player and they're playing this house music, but they're actually playing it. I really love that aesthetic and wanted to bring that into the album.
