Bernard Parmegiani Quotes
When listening to the sound material, we metamorphose the inside into an outside. This notion of metamorphosis is one of the principles that leads the course of the musical suite, reflecting changes (fluidsolid passages: water/ice/fire) or movements (ebb/flow/wave, inspiration/expiration) or inside-outside passages (door/individual/crowd). Thus, the perceived object is not entirely what we would have liked it to be. Our music brings us closer to some while it takes us away from others: each with their own inside.
Quotes to Explore
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It's a luxury to not have to just be performing with other people to have my music heard.
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Music was a way of rebelling against the whole rah-rah high school thing.
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I worked as a head cook at courthouses and high schools. I left it behind when I started getting into my music real heavy.
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I am a friend when I need to be a friend, a father when I need to be a father, a musician when music calls. I switch roles accordingly.
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Each time I seem to go through one of life's huge things, I want to play music.
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As a teenager I had friends who had little music studios in their bedrooms and garages. I'd go and play around; very soon, my hobby became a passion.
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Music is an art that touches the depth of human existence; an art of sounds that crosses all borders.
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We always make music and continue to make hits.
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If I could never work again and I could just listen to music and walk, I'd be very, very happy.
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I'm a pretty easygoing person, and it bleeds into the music. Even if I'm writing the most personal song, it's not going to come out totally serious; there's always a little tongue in the cheek.
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I am very honored and excited to have 'Devotion' released as the first DVD Audio disc... surround sound is amazing... The music comes alive and is so vibrant - it's unlike anything you've ever heard before!
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I've been a big Bob Marley fan forever. Forever. Like big, huge. Bob Marley and the Beatles, that's my big, giant music influence. I can listen to them all the time.
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Music is where I have the most creative freedom, but I love producing. To me, that's kind of where all the action is. You get a chance to have your hands in every aspect of a film. From picking a director, sometimes picking a writer, to the actors, the wardrobe, set design, editing, music, and marketing.
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When I was young, people were almost identified solely by the kind of music they liked. People fell into categories of who liked what.
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When I was driving home after registration, I heard this song on the radio, a guy singing about not ever going to class in college and always hanging out and singing for his friends. I laughed and said, I can relate, because it was so much like me. I realized right then I would pull out of school and pursue a music career.
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I'm not very good at picking stuff up off the radio. It takes me way too long to learn other people's music.
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I really like Alan Jackson, in Country Music. I think he's really very, very talented along with George Jones, and Merle Haggard, the same old favorites.
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Dealing with those personalities and the people who run this music thing has been most challenging. It's hard to really communicate things to people who run a business yet forget the nature of the business. They only look at the bottom line and the financial return, you know, they forget what it is they're packaging. It's art.
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I write most of my music in my house, which is like a tree house.
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At a time when club music has gone more electronic, I've gone the other way: organic and world music.
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I like my country, but I don't think like an Italian. It's a complex, complicated difficult country to make things happen in.
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Alison Lohman is an amazing actress. I was so proud to work with her.
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I like eating food after it's gone off.
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When listening to the sound material, we metamorphose the inside into an outside. This notion of metamorphosis is one of the principles that leads the course of the musical suite, reflecting changes (fluidsolid passages: water/ice/fire) or movements (ebb/flow/wave, inspiration/expiration) or inside-outside passages (door/individual/crowd). Thus, the perceived object is not entirely what we would have liked it to be. Our music brings us closer to some while it takes us away from others: each with their own inside.
