Bernd Becher Quotes
As time went by we developed a sort of ideology without ever formulating it as such. I've always said that we are documenting the sacred buildings of Calvinism. Calvinism rejects all forms of art and therefore never developed its own architecture. The buildings we photograph originate directly from this purely economical thinking.
Quotes to Explore
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I see Americans of every party, every background, every faith who believe that we are stronger together: black, white, Latino, Asian, Native American; young, old; gay, straight; men, women, folks with disabilities, all pledging allegiance under the same proud flag to this big, bold country that we love. That's what I see. That's the America I know!
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I have always tried to make profitable films because people's offices shut down if films fail, and I will do everything to avoid that.
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I had a sense of what leadership meant and what it could do for you. So am I surprised that I am sitting up here on the 62nd floor of Rockefeller Plaza? No.
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A lot of people who want to cook with less fat are surprised by that. You can cook vegetables in a little water in a covered pan and then throw the fat into the residual liquid to coat them.
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When team members trust each other and know that everyone is capable of admitting when they're wrong, then conflict becomes nothing more than the pursuit of truth or the best possible answer.
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As goes California, so goes the rest of the nation.
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Of the 25 songs we've recorded there were 24 that we wanted to have on an album. That wouldn't have worked. So when one of our wise managers suggested the idea of considering two different album, it cleared the way for us.
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I look at singing and acting as one career, and I love the chance to do both in the same project. I need to do both. When I'm doing one, I miss the other.
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When I left my home to become an actress, my father didn't give me a single penny. I struggled a lot, and they had no idea what I went through. My grandfather even asked me to drop my surname when he learnt I was joining films.
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I was brought up Irish, where there was room for my own private world.
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When we think of war, the tendency is to picture young soldiers only in their military roles. To a large extent this dehumanizes the soldiers and makes it easier for society to commit them to combat.
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When you're 18, 19, you think you know everything, but you have no clue about anything.
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I liked George Weiss when he was with the Yankees. He loved the Old Timers' Day. He loved it. And he invited all these people to come, all these players to come.
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It's honestly true that money means nothing to me.
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My race and sex had a great deal more to do with what people believed I could do than with what I actually could do.
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They are just really stupid people in Hollywood. You write them a script, and they say they love it, they absolutely love it. Then they say, 'But doesn't it need a small dog, and an Eskimo, and shouldn't it be set in New Guinea?' And you say, 'But it is a sophisticated romantic comedy set in Paris.'
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You can't demand generational change on the one hand and expect 40 years of experience on the other.
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Modesty is a learned affectation. And as soon as life slams the modest person against the wall, that modesty drops.
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Her age was that indeterminate mixture of everlasting youth and anticipated wisdom which is the glory and the curse of genius.
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I don't really get into architecture in the hotel room. But maybe a little Feng Shui here and there.
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As an emerging photojournalist in the early 70s, my focus was on trying to create stories for magazines to the exclusion of almost everything else. I wish someone had told me then that the most personally important pictures you’ll ever make are those about you and your life. I’m glad I had the chance to work for some great magazines, but I really miss those little everyday images, the ones that take place in and around your own life, which will never make the news. Don’t sell yourself short: photograph your own life, not just everyone else’s.
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The universe seems to me infinitely strange and foreign. At such a moment I gaze upon it with a mixture of anguish and euphoria; separate from the universe, as though placed at a certain distance outside it; I look and I see pictures, creatures that move in a kind of timeless time and spaceless space, emitting sounds that are a kind of language I no longer understand or ever register.
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As time went by we developed a sort of ideology without ever formulating it as such. I've always said that we are documenting the sacred buildings of Calvinism. Calvinism rejects all forms of art and therefore never developed its own architecture. The buildings we photograph originate directly from this purely economical thinking.
