Carolyn Heilbrun (Carolyn Gold Heilbrun) Quotes
Odd, the years it took to learn one simple fact: that the prize just ahead, the next job, publication, love affair, marriage always seemed to hold the key to satisfaction but never, in the longer run, sufficed.
Quotes to Explore
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It is much more difficult to measure nonperformance than performance.
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I grew up in a Hindu household but went to a Roman Catholic school. I grew up with a mother who said, 'I'll arrange a marriage for you at 18,' but she also said that we could achieve anything we put our minds to an encourage us to dream of becoming prime minister or president.
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I am sometimes sad when I hear the personal stories of Tibetan refugees who have been tortured or beaten. Some irritation, some anger comes. But it never lasts long. I always try to think at a deeper level, to find ways to console.
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I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.
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Even without an economic downturn, women sometimes want to keep their shopping habits to themselves.
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A belief may be larger than a fact.
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My spiritual evolution I would describe as journey from literalism to figuratism. I now see all religious texts as pointing to an ineffable truth.
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I believe America is the most powerful country in the world and is a country that stands on principle. Its principles are enshrined in its very foundation and constitution, and it has a duty to serve humanity. America has a duty to follow its conscience to reject repression. It must reject oppression. It must reject humiliation.
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From time immemorial artistic insights have been revealed to artists in their sleep and in dreams, so that at all times they ardently desired them.
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I'm an example of why people deserve second chances.
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Consequently the student who is devoid of talent will derive no more profit from this work than barren soil from a treatise on agriculture.
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As I had collaborated with visual artists before whether on installations, on performance pieces, in the context of theatre works and as I had taught for a time in art colleges the idea of writing music in response to painting was not alien.
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You have to respect your opponent.
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I always use primary sources, in addition to reading biographies and other materials.
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If you're an artist, you want to draw from real life; you want to draw from experiences, emotion, and it's something that a lot of musicians juggle with. I've always found it so fascinating.
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Laissez Faire was very good sauce for the goose, labor, but was very poor sauce for the gander, capital.
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I was bullied in first grade, and it's definitely not fun. But always tell somebody instead of holding it in. Communicate with people and just say, 'Hey, I'm being bullied. I need help.'
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I'm always going with my visceral reaction when I read a script. I am more drawn to characters who are conflicted, and in developing a character exploration. If it's a baddie, I'm rarely intrigued, and if it's a goody two-shoes - too much of a good guy - I'm not, either.
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Most of the time I believe in letting kids go ahead and make their own mistakes - maybe even get a little hurt - and learn from them.
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In the Senate, there is a wide spectrum of views on foreign policy.
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You can ask me anything you want; I'm very opinionated... except about my private life. I don't want to talk about that.
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Odd, the years it took to learn one simple fact: that the prize just ahead, the next job, publication, love affair, marriage always seemed to hold the key to satisfaction but never, in the longer run, sufficed.
