Carolyn Heilbrun (Carolyn Gold Heilbrun) Quotes
Odd, the years it took to learn one simple fact: that the prize just ahead, the next job, publication, love affair, marriage always seemed to hold the key to satisfaction but never, in the longer run, sufficed.
Quotes to Explore
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It is much more difficult to measure nonperformance than performance.
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Village cricket spread fast through the land.
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I grew up in a Hindu household but went to a Roman Catholic school. I grew up with a mother who said, 'I'll arrange a marriage for you at 18,' but she also said that we could achieve anything we put our minds to an encourage us to dream of becoming prime minister or president.
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I'm Irish on St. Patrick's Day. I'm Italian on Columbus Day. I'm a New Yorker every day.
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Quiet is the new loud.
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I am sometimes sad when I hear the personal stories of Tibetan refugees who have been tortured or beaten. Some irritation, some anger comes. But it never lasts long. I always try to think at a deeper level, to find ways to console.
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I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.
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Even without an economic downturn, women sometimes want to keep their shopping habits to themselves.
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A belief may be larger than a fact.
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My spiritual evolution I would describe as journey from literalism to figuratism. I now see all religious texts as pointing to an ineffable truth.
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I believe America is the most powerful country in the world and is a country that stands on principle. Its principles are enshrined in its very foundation and constitution, and it has a duty to serve humanity. America has a duty to follow its conscience to reject repression. It must reject oppression. It must reject humiliation.
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From time immemorial artistic insights have been revealed to artists in their sleep and in dreams, so that at all times they ardently desired them.
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I'm an example of why people deserve second chances.
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Consequently the student who is devoid of talent will derive no more profit from this work than barren soil from a treatise on agriculture.
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As I had collaborated with visual artists before whether on installations, on performance pieces, in the context of theatre works and as I had taught for a time in art colleges the idea of writing music in response to painting was not alien.
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You have to respect your opponent.
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I always use primary sources, in addition to reading biographies and other materials.
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If you're an artist, you want to draw from real life; you want to draw from experiences, emotion, and it's something that a lot of musicians juggle with. I've always found it so fascinating.
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We went through a hard time, and we had to turn to music as a means to putting food on the table. And we've been doing it ever since. No regrets either.
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We immigrants can sometimes sound a little hysterical about this because we come from places that have tried this and we know where it leads. Anybody who's lived in countries with socialized health care knows that it becomes the dominant political issue.
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Make your goals big and broad enough so that they never become answered prayers and boomerang to curse you.
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The circus leaves a sweet memory.
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It's always nice working with friends. And if you have a director that you've worked with before, you don't have to go through that first learning thing. There's an element of trust there.
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Odd, the years it took to learn one simple fact: that the prize just ahead, the next job, publication, love affair, marriage always seemed to hold the key to satisfaction but never, in the longer run, sufficed.
