Gavin Bryars Quotes
As I had collaborated with visual artists before whether on installations, on performance pieces, in the context of theatre works and as I had taught for a time in art colleges the idea of writing music in response to painting was not alien.
Quotes to Explore
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I've always liked stories. I'm always reading, ever since I was a kid. I've always been reading and wanting to be in some other world. This is the perfect job for me.
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I was probably never going to get to do the kind of things dramatically that I really wanted to do, so I returned to theater from time to time, and to write, and produce. It's by no means sour grapes.
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So many paintings have hidden meanings or need wall texts, but my work is not in that category.
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Different directors have different things, so when I left Mike Leigh, as it were, and I went into other projects after 'All or Nothing,' it took some getting used to - what do you mean there's a script?!?' That kind of thing.
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A man will turn over half a library to make one book.
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I don't think that I ever believed that poetry would be a career. I have always thought of poems as something more private than professional... I would never introduce myself as a poet. I will always have some other thing that I am.
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When a writer declares that his first book is his best, that is bad. I progress successively from book to book.
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I tell people all the time, 'Don't give up.' We get almost to our blessing, whether you believe spiritually in God or in a good force and an evil force. We get almost to our blessing, and we quit. Don't stop.
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I'm happy pretty well anywhere on this big, beautiful planet.
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I maintain music is not here to make us forget about life. It's also here to teach us about life: the fact that everything starts and ends, the fact that every sound is in danger of disappearing, the fact that everything is connected - the fact that we live and we die.
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I can remember loving to recruit. I knew I was going to do my best. But traveling and recruiting doesn't appeal to me any more. It's not as much fun as it used to be.
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You don't go out and play Beethoven's 'Opus 111' without having rethought about it every time you play.
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I got lost one time for a couple hours. It was pretty bad. I got lost in a creek, and I couldn't find my way back. The cops even had to come.
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I had been impressed by the fact that biological systems were based on molecular machines and that we were learning to design and build these sorts of things.
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I have been, and will remain, outspoken in my insistence that Israel has a right to live in peace and security.
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Managers are the most creative people in the world.
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Our obsession with speed, with cramming more and more into every minute, means that we race through life instead of actually living it. Our health, diet and relationships suffer. We make mistakes at work. We struggle to relax, to enjoy the moment, even to get a decent night's sleep.
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In a democracy, the majority of the citizens is capable of exercising the most cruel oppressions upon the minority.
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It is important for all of us to show our support for the brave men and women in the United States military.
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Advertising men and politicians are dangerous if they are separated. Together they are diabolical.
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I asked long ago,'What must I do to be saved?' The Scripture answered, 'Keep the commandments, believe, hope, love.' I was early warned against laying, as the Papists do, too much stress on outward works, or on a faith without works, which as it does not include, so it will never lead to true hope or charity.
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Kylie looked up towards the sky. "Sometimes I just wish Heaven wasn't so far away.
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It's been reinforced to me, and it's a little cliche, but I've learned that you can't make a movie that even works, much less that's good, without really good writing and really good acting. That lesson has led me to not be distracted, so much, by the other stuff going on in filmmaking and to focus on the essence of a story, and the words and the events and the way that those are interpreted by the actors. That philosophy has taken me to a place that I really like.
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As I had collaborated with visual artists before whether on installations, on performance pieces, in the context of theatre works and as I had taught for a time in art colleges the idea of writing music in response to painting was not alien.
