Sam Weller Quotes
I first encountered Bradbury's writing when I was pretty young. He's a great bridge author between young-adult fiction and literature.
Quotes to Explore
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The more I go on in this career of making albums, writing songs and playing music, the more I think of each album as a movie. I really wanted to make a film, but making a film is much more expensive than making a record.
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The books that help you most are those which make you think that most. The hardest way of learning is that of easy reading; but a great book that comes from a great thinker is a ship of thought, deep freighted with truth and beauty.
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I went to my son's graduation this weekend, and I heard a great quote I've never heard before from Albert Einstein. It was that the greatest danger to the world is not the bad people but it's the good people who don't speak out.
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Anyone can wear any color. The question is about finding the right shade. There is a momentary trend to dark colors because when the financials are not that great, people go for black, navy and grey.
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The key is working with great directors. A film is so many different people and all their talents, but particularly the directors, because of the idiosyncrasies of that person.
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Writing books is a nice retreat. There's nothing quite like diving into a book for a few hours. That is a big time vacation.
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To be a great artist, you need to know yourself as best as you possibly can. I live my life and delve into my own psyche. It's more about exploring how I feel rather than making pale imitations of something that came before. We are unique beings, and the way we look at things is our own.
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In schools giving students a full education, not to create great artists but about the right to have full expression and imagination and creativity, along with an acknowledgement that everybody learns differently. You try and you fail and you try again. All those skills are useful in the workplace, too.
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If your writing collides with the conventional wisdom, there's going to be some kind of friction.
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I love writing. Given a choice, after directing for all these years, and if given an army of talented directors, I would not direct at all.
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I feel like I'm a secondary artist, a kind of a conduit for the writer, and if it's a good writer, then I have a great road map.
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There are a lot of great artists with great voices who aren't singing what they should be singing.
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One of my favorite films is 'Pretty Woman.'
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I can ask for a £25,000 advance, but then you spend a year writing the book, and £25,000 is a loan against sales, and you can easily spend five years earning out. So that's £25,000 for six years.
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When you're writing, you are robbed of your delivery.
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As much as I enjoy traveling and playing on stage as an artist, I really find my true sense of purpose in a room writing a song.
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When you have an author and an auteur, it's a difficult and challenging relationship.
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It is such a gift to be able to write songs in general, but when you can share it with somebody, it is just such a pleasure. It is such a happy moment when you finish a song, and you are just like, 'Wow - that was great.'
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So great was the extremity of his pain and anguish, that he did not only sigh but roar.
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Love's great (and sole) originality is to make happiness indistinct from misery.
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I write anywhere. I'm always banging around on the dashboard. Whatever I'm doing. I can make music out of anything. Whenever a song hits me, I'll pick some sort of melody or rhythm out on it, and kind of enhance the song.
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I couldn't have known 'Crank' was going to be published, let alone become a big hit. That book was very personal for me: I had to tell the story for myself.
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I worked as a telemarketer for an SAT-prep company. That was the worst of it, because I had to call people in post-Katrina New Orleans and offer them this very, very expensive SAT class. And I'm not even a good salesman.
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I first encountered Bradbury's writing when I was pretty young. He's a great bridge author between young-adult fiction and literature.
