Carrie Brownstein Quotes
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Rihanna has guts and she always seems to be singing from someplace honest, dark and fierce.
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People give the words life through their own adoration or relationship to the work, and that's true of everything. You can't divorce critical or fan reaction. Once it exists, you forget that the words are arbitrary, or you start to remove value.
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I've learned to really enjoy video games. It's really toxic to have in your house, because it's really distracting.
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If your whole world of a band or music is taking place in a digital realm or on technological devices, it's all mediated through those things. That takes away from the experiential and sensual nature of music. That's a lot less exciting for me to think about. It's not my ideal way of living with music.
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For film and television, it's interesting how fans feel that their particular ways of manifesting their affections are the correct ones. It's not just about being a fan, it's about how you perform your fandom. That's always been interesting to me.
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I think we as people struggle for what is meaningful in our lives, and I think that modern, contemporary life is as easy as it's ever been, for many, many people, and the amount of physical exertion, for most people, is less than it's ever been. I think that there is something about the ritual of making things more difficult that people find meaning in.
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To me, curiosity is married to optimism. And that's where a lot of my motivation comes from. A lot of my way out of depression and anxiety is that intersection between optimism and curiosity. Because it means taking a step forward with the hope that there will be discovery.
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I have no problem spending money on a great meal with friends or a flight to see somebody that I love, versus something like a fancy car. I don't need a fancy car. I don't need a giant TV.
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I like to connect with people through my work. That's my favorite way - meetings of the minds, fans at a show. Those are nice mediated ways of hanging out.
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I think hip-hop does a very good job of infusing comedy and humor and wit into music, a lot more than other genres.
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With Sleater-Kinney, we did a lot of improvisation in our live shows, and even our process of songwriting involved bringing in disparate parts and putting them together to form something cohesive.
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I think one of the reasons I haven't been doing music is because I think that some of my performance, like, needs are being taken care of in other mediums.
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I think one of the reasons that we are able to actually keep making music that we want to make, and that we're inspired by, is because there is a certain amount of instability constantly, and I think that mirrors the instability of any given life.
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I think closing-off is the most detrimental thing we can do as people. Also, the idea of not judging oneself.
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I think in some ways, whether you've ever actually been to Portland, people definitely understand this highly curated niche lifestyle, because a lot of people are sort of striving for that now. Or they're hating on it.
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After Sleater-Kinney broke up in 2006 I had very little desire to play music. It took well over three years before picking up a guitar meant anything to me other than an exercise.
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Well, in some ways I had sort of the opposite experience of other people that are sort of dreaming of being in a rock band. I was dreaming of like corporate lunches and just like, and I'm not really joking. Like the whole idea to me was really appealing.
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The idea of self-effacement, the idea that you feel so powerless that the only tiny morsel of power you have is over your own ability to deny yourself food - that to me is a very profound and sad methodology and indicator of how powerless a lot of people feel in this world. That they will turn that onto themselves until they are physically smaller. I think it's affected my worldview a lot - just being sensitive and empathetic towards the ways people want to be small. I don't wish smallness for anyone.
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I think hypochondria always plays a part in the healthcare landscape.
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No matter what people are struggling with, or based on whatever. Sexuality, ethnicity, economic status, size. I don't wish smallness for anyone. It's a terrible place to live.
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Living in Portland, which is a predominantly white city, the privilege and the luxury to be able to obsess over a certain kind of minutia, that I think, if you did not have that privilege, would never be bothersome. When people are worried about whether "local" means 100 miles, or 50 miles, or 10 miles from a grocery store, I just think, "Wow. What a privilege it is to have that as a major concern in your life." As opposed to, "Can we afford food tonight?" Sometimes I'm just shocked at what becomes concerning in these kind of communities.
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I've mostly been focusing on writing, and I've really enjoyed not playing music. It will always be part of my life, but I don't feel the immediate need to be playing for people.
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We brainstorm an idea and then we do flesh it out a little bit - we come up with a script, mostly to have beats and a sense of a story and a narrative arc. Often when we get into the space and onto the location, that changes and something we discover in the moment becomes the moment, becomes the story, becomes the character.
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I need a template of a template