Carrie Brownstein Quotes
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I need a template of a template
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Twitter is sort of version of labeling, except with 140 characters instead of a labelmaker. It's the way of calling things out for what they are, wearing badges. Twitter is like the new Scarlet Letter.
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What I value most in new music today is strangeness, oddity. Passion. And humor. I listen to a lot of hip-hop because it combines so many things like that.
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I have no desire to play music unless I need music.
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I've realized that I have a lot of different loves, and I want to pursue writing, but I can never divorce myself from music.
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You can't bury a part of yourself that's so innate to who you've been, even if it's not for the sake of anything other than a pure enjoyment of it.
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"We can't name it, but we can sing along." That is my ultimate relationship to any art form, but especially music.
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I think that the intentions are genuine in the search for authenticity, but it can tip over into absurdity so quickly. I just start to wonder, like, what authenticity even is, and whether we can even start to define it in such a globalized world.
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There are foods you should avoid. For me, sugar is a no. Because it gives me a spike and then a crash.
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For a while I had somebody that came to clean my house that turned out to be in a band that I really loved.
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With Portlandia, I don't think our intention is always to find something funny. Sometimes the humor comes from taking something really seriously. We're okay with making somebody feel uncomfortable or uneasy.
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It's very common to think that we're always evolving, that we've changed so much from our younger selves, that within decades we've transformed into these different people. We like to think that. I feel in some ways that I am still so much my younger self. There are ways that I'm different: I feel like I'm wiser and kinder. But I think a lot of the impulses are still the same. I learned that.
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Rock Band is more like Stairmaster than it is like rock 'n' roll - it's the same steps with different degrees of difficulty.
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I don't think I would live outside of the Northwest. I think the quality of life in Portland is really good. People move from intense, high-powered jobs, and move to Portland, work half as much and live twice as good.
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I've honestly always been an overly analytical, highly observant person. I was playing music but thinking about it at same time, which was sort of exhausting. Aside from the pain of writing - you're not really in a gang like you are in band, it's a little bit lonelier - I think it was always something that I'd wanted to do. So the transition wasn't abrupt or painful.
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I've never been in another kind of midlife crisis. I don't know what it feels like when you're through that, but I definitely feel that changing a few things, like being on a different label and having things kind of settle back into a sense of normality, helps to feel grounded.
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The game Rock Band has been haunting me like a bad ring tone. It gets stuck in my head and momentarily effaces all that I love about music.
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Music has always been my constant, my salvation. It's cliche to write that, but it's true.
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I've always been interested in queerness and underground and fringe and periphery, and who and what flourishes in those spaces. Those spaces that are darker and dingier and more dangerous, more lonely. What comes out of there, to me, is the life force. I'm excited when the center reaches over to those places and pulls inspiration from them, and translates it for a lot of people.
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For me, being in shape means, like, not having cynicism out-weigh optimism on a daily basis.