Cary Fukunaga (Cary Joji Fukunaga) Quotes
Even on my films, I always collaborate with the actors. That's a given. I think you need that. You need the actors to feel as much ownership of the performance and the direction of the story as you do, to get the most out of everyone's potential.
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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The film depends on the audience's belief in this relationship.
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Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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I've only used my own voice about four times on film.
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When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.
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A film has its own life and takes its own time.
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I was actually sacked from my first job. It was at a workshop for a short film this poet had written, about when she used to work in a strip club. After the first week, I was told not to come back.
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I want to do theatre and film and direct my own things and develop.
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I don't listen to Bollywood music much. But yes, I listen to Indian music quite often, and other non- film music.
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I love to watch low-budget indie artsy films, but I do also love the big blockbuster things. I would love to do that one day, do a Marvel film. That would be really great.
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I'm Method trained. How is this character like me? What does she think of her mother? What does her mother think of her? It's like construction, and then, yes, you hope you're talented and that the universe aligns and captures the kind of laborer's work you've done and whatever else sprinkles down on you, and it's all caught on film or onstage.
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Directing a film was something I was yearning to do. I always wanted to see if I had the capacity to be a good storyteller.
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I wouldn't feel right wearing clothes covering my body.
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I feel like there's a lot of rappers that could out-rap me and I wouldn't want to face any of them.
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[Elijah Wood] is a really fully-rounded, amazing human being, and I feel incredibly lucky, especially given how closely we have to work together.
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You can always feel the cool whisper of surveillance when the film hits your flesh, the eye of the camera or simply the camera eye . . . faces of passersby, clientele, unpaid extras change completely as soon as they’re no longer observed.
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You can't control people. You must understand them. You have to know where they're coming from, their beliefs and values, what turns them off, what they're against.
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Further strengthenings of the self-centered instinct for survival recruit even greater numbers of people into some sort of ring of fellowship (church or gender, red state or blue) by populating the terra incognita outside the ring with enough barbarians to verify the existence of a civilization within--to define the preferred stock by what, as all good people agree, it decidedly is not.
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I would like a man now who is rich, and who can give me a boat - a sailboat. I want to own it and let him pay for it. My first love is the sea and water, not music. Music is second.
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Even on my films, I always collaborate with the actors. That's a given. I think you need that. You need the actors to feel as much ownership of the performance and the direction of the story as you do, to get the most out of everyone's potential.
