Marshall Bruce Mathers III (Eminem) Quotes
With every song, all the elements have to work. First, the beat has to be great - you start there. You start with the music, and then the ideas follow. Then you start thinking of rhymes, and then you record it, and sometimes - this happens to me a lot - it doesn't come out as good as it did in my head when I first wrote it.
Quotes to Explore
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The blush is beautiful, but it is sometimes convenient.
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I was a regular hand when I was 7. I picked cotton. I drove tractors. Children grew up not thinking that this is what they must do. We thought this was the thing to do to help your family.
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There was a film called 'FM,' and we were asked to do the title song. And I said, 'Does it have to have any specific words?' And they said, 'No, it just has to be about FM radio.' It took a day or two to write.
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I'm guilty of it myself, sort of thinking, 'Classic novels: snoozeville.' But there is a huge amount of wonderful material.
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I fantasise about what the future could be in terms of aesthetic and psychology. It's the most difficult thing to do because you have to start from the past - your favourite architect, your favourite song - you take it all with you.
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Sometimes you feel you have the truth of a moment in your hand, then it slips through your fingers and is lost.
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I don't spend any time at all thinking about my personal wealth. I suppose if I had nothing, I might think, 'I have nothing.'
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The nice thing about writing at home is that it's almost as though I'm doing it already. I get out of bed thinking of my work, and I don't have to go anywhere to do it.
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I've got to be sensible sometimes.
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Charm of personality is a divine gift that sways the strongest characters and sometimes even controls the destinies of nations.
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I have been thinking a lot about what we see in villains, how we relate to villains, and what it is about certain villains that we actually empathize with. Like Macbeth. We're not supposed to like a guy who kills the king and takes over, but there's something about him we're really fascinated by.
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I did a forward roll for the kids the other day, thinking it'd be a breeze like it was when I was six, and I had to lie flat for about 20 minutes afterwards - 'Leave mummy alone; she's feeling a bit dizzy.'
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When your time comes to die, be not like those whose hearts are filled with fear of death, so that when their time comes they weep and pray for a little more time to live their lives over again in a different way. Sing your death song, and die like a hero going home.
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You know what, I am not gonna lie, that Taylor Swift 'Trouble' song? I can't resist that song. Her melodies are very catchy.
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Sometimes I have a melody in my head; sometimes it's just a verse. I read lines from a book or movies that I watch and grab a few quotes and start writing on paper. From there, I record a really rough version and work on the song.
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I look at my clarinet sometimes and I think, I wonder what's going to come out of there tonight? You never know.
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I feel like I have some stuff that matches 'Fight Song,' not in necessarily the message exactly but in the emotion and honesty.
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Great music is its own movie, already. And the challenge, as a music fan, is to keep the song as powerful as it wants to be, to not tamper with it and to somehow give it a home.
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Everybody makes his path differently.
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The manners that apply specifically during courtship come to be replaced over the course of marriage by a different set of manners, embodying the residual pettiness, complaining, and faultfinding of childhood.
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I'm not going to go out there and have these slugfests, but I'll go out there and dominate my opponent. That's what I do in my fight.
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We are a plague on the Earth.
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With every song, all the elements have to work. First, the beat has to be great - you start there. You start with the music, and then the ideas follow. Then you start thinking of rhymes, and then you record it, and sometimes - this happens to me a lot - it doesn't come out as good as it did in my head when I first wrote it.
