Cassie Steele (Cassandra Rae "Cassie" Steele) Quotes
Quotes to Explore
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I had auditioned for 'The Vampire Diaries' years ago before 'The Originals' happened, so I was familiar with that mythology.
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II know a little about Greek mythology. It's not that far away from the Nordic mythology.
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In any film there's always a historical implication.
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before one actually visits them, everyone tends to think of their favorite countries as one grand Disneyland filled with national monuments and historical treasures conveniently laid out for easy viewing, when what they really are filled with, of course, is people going to work, laundromats and places to buy rat poison.
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Hollywood grew to be the most flourishing factory of popular mythology since the Greeks.
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Mythology is like gravity, inconvenient at times, but necessary for cohesion.
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I don't know, except that the only simple answer, I think, is that SCLC [Southern Christian Leadership Conference] had never really developed an organizing technique. I've always characterized the difference in saying that they went in for mobilization. And, to be honest, in terms of the historical facts, their mobilization usually was predicated upon some effort at organizing by someone else. And, at this stage, it was largely SNCC.
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The general consensus among historians, among the ones who can handle the fact that 'Lincoln' is, in fact, historical fiction, is that we demonstrate enormous fidelity to history and that, beyond that, we've actually contributed a line of thinking about Lincoln's presidency that's somewhat original.
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You don't go to the movies to do historical research, unless it's historical research about the movies.
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I find historical figures in general very tricky because you feel at times that you're serving two masters. Not only the arc and wonderful writing that comes with the show, but also the history of a person's life.
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The goal of socialism is communism.
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I can not be mistaken - what I say and do is historical.I follow my life with the precision and security of a sleep walker.
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I visit English country churchyards where historical figures are buried.
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Historical fiction of course is particularly research-heavy. The details of everyday life are there to trip you up. Things that we take for granted, indeed, hardly think about, can lead to tremendous mistakes.
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With this particular series The Cursed Wheel I'm going farther in that direction than I've tried before in terms of the elasticity of the mythology.
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Understanding the mythology of your partner, your customer and your audience is far more important than watching the instant replay of what actually happened.
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With a historical setting, I worry about accuracy at every turn... With a created world, I have to worry about all of it holding together and seeming coherent... Each presents unique challenges and opportunities.
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I love all of mythology and rules pertaining to all of the monsters, but I like to go the extra step.
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That's why I'm an actress, to do something completely opposite from myself.
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I have come to think that life is a far more limited thing than those in the midst of its maelstorm realize. That light shines into the act of life for only the briefest moment - perhaps only a matter of seconds. Once it is gone and failed to grasp its offered revelation, there is no second chance. One may have to live the rest of one's life in hopeless depth of loneliness and remorse. In that twilight world, one can no longer look forward to anything. All that such a person holds in his hands is the withered corpse of what should have been.
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I suppose playing an older man is a way of preparing myself for getting older.
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What I teach is literary criticism and comparative literature and so on and that's my function, but from time to time it's possible for me actually to help a writer. I read something and something strikes me then, I feel I can talk to that writer about it.
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I like mythology - anything historical.
