Catherine Ashton Quotes
I was the first woman British commissioner, the first woman trade commissioner, so I am also proud to be the first woman High Representative.
Quotes to Explore
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We need fundamental change. In the past, national development led to people's happiness but now the link between national growth and improvement in people's lives has been severed.
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If one line about the film excites me, I try to take it forward.
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If you worried about falling off the bike, you'd never get on.
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Imperialism was genuinely popular among Athenians who would expect to share in its profits, even if only indirectly and collectively, and not to have to bear its burdens.
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The whole point of having money, and working and making money, is to enjoy and spend it.
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One of the great strengths of the United States is... we have a very large Christian population - we do not consider ourselves a Christian nation or a Jewish nation or a Muslim nation. We consider ourselves a nation of citizens who are bound by ideals and a set of values.
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The big tragedy in baseball is that the amateur spirit has gone out of it to a large extent.
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I was 6, and I was in the opera 'Carmen.' My dad sang opera and got me into the children's chorus. I was super fat at the time and didn't make eye contact with anyone. I knew I loved acting ever since.
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I made a lot of money. I earned a lot of money with CNN and satellite and cable television. And you can't really spend large sums of money, intelligently, on buying things. So I thought the best thing I could do was put some of that money back to work - making an investment in the future of humanity.
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The day you stop learning and creating must be the most boring day.
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I love all sorts of music. I'm really into Damian Rice and Amos Lee.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
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Panama's a really wonderful country. There's obviously the Panama Canal, which brings a lot of tourism, and a huge American influence; it's just a mix of so many great things: African, Caribbean, Latin American Spanish, all kinds of influences there.
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I got a manager, and I thought, since I was going out on auditions, I should do this for a living. Then there was this moment on set when I realized I was having a lot of fun, and I really wanted to do this forever.
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I spend time with people who are movers and shakers, and others who are just friends I really care for. Some of them are rich, some of them are poor. I couldn't care less. I'm not a snob.
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I don't want everything to be flowery perfection. I like it there to be a charge behind it, you know?
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Men are every bit as gendered as women.
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Not being able to read and write music is not the same as being illiterate in speech and writing.
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We work together a lot. So we don't really sit around after five days in the studio. We've got families, so we all like to be home when we can. We're not into any rock-star lifestyle or partying or clubbing or anything. We've generally seen enough of each other by the end of the week.
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What I look for in musicians is a sense of infinity.
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My role is to embody the Black Opium woman - I suppose you have to be the living embodiment of all the intangible things the brand stands for.
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Every artist was first an amateur.
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I defy any woman that doesn't feel more elegant and more groomed and ready for an evening than if you have a blow dry.
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I was the first woman British commissioner, the first woman trade commissioner, so I am also proud to be the first woman High Representative.
