Rachel Kushner Quotes
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Eventually, I grew out of my interest in motorcycles because they're quite dangerous. I don't ride them anymore. But I have this history.
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Writing does produce a very unique satisfaction. There are times when I'm writing that it's frustrating or appalling or difficult, but when it goes well, it goes really well, and there is a feeling of rightness, like I'm doing the thing I was meant to do, almost in a mystical way, like I'm at an appropriate angle to the world.
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Most go to prison not on account of their irreducible uniqueness as people but because they are part of a marginalized sector of the population who never had a chance, who were slated for it early on.
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I have spent a lot of time listening to people who are serving life sentences and getting to know them and the circumstances of their lives. I have never met anyone serving a long prison sentence who had anything close to what I could call a childhood; instead, the upbringings always - always - involve extreme situations of poverty and abuse.
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I'm very interested in the idea of a large group of people who come together quite suddenly, but not illogically, for reasons that could not have been anticipated.
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Art breathes into life a surplus that is both vital and extraordinary.
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Happiness is a mysterious concept. It seems to work best as futurity: at that point I will be happy, et cetera. I feel like I experience small pieces of joy day to day.
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I don't really know what the Great American Novel is. I like the idea that there could be one now, and I wouldn't object if someone thought it was mine, but I don't claim to have written that - I just wrote my book.
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I steer clear of books with ugly covers. And ones that are touted as 'sweeping,' 'tender' or 'universal.'
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I'm not sure if you can strive your way into a career as a novelist. You have to write books; there are no short cuts.
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At home, I dedicate occasional whole days to reading as if I'm a convalescent. The ideal place for this is the bath, where the body floats free. Books go a little wavy, but they're mine, so who cares.
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Success is a completely abstract thing - it has no bearing on daily life, family matters, the matter of artistic creation, but it can affect grace, and if I lose that, I really have gained nothing from success.
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It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In certain ways, I'm every character.
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Artists are political in the sense that they've subtracted themselves from the structure of the marketplace and are contributing something that's not utilitarian. Even though books get sold, and I get advances, I get to look at society and think for a living.
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I don't think a woman riding a motorcycle thinks of herself as doing something that has sex appeal. I think she's trying to replicate for herself an experience that she sees men having.
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I'm a kind person; I don't have a really nihilist streak in me, but I respond to that kind of humour.
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A novel is not a rant.
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The great thing about writing is that it has to work without that invisible layer of the reader's added knowledge.
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I know a little bit about motorcycles and motorcycle riding.
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Flamethrowers have been used by many armies in many wars, including by American Marines in Korea and Vietnam. They cause horrific deaths and are thus a serious public-relations liability. The U.S. military apparently phased them out in 1978.
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I'd say it's okay to be political and to be a writer. Those streams can be separate, and they can be connected; for me, they're both. Life is political, and I'm interested in my community and in a lot of issues - some of them American, some global.
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I don't start with a list of historical scenes that I want to include in the book. At a certain point, the narrative totally takes over, and everything that I include I can only incorporate if it answers to the internal terms of the novel.
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I like Baudelaire's sentences quite a lot. I read and re-read him very often.
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Story and plot, not historical facts, are the engine of a novel, but I was committed to working through the grain of actual history and coming to something, an overall effect, which approximated truth.