Catherine Deneuve (Catherine Fabienne Dorléac) Quotes
Quotes to Explore
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I need one psychological expert to help me concentrate.
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The more times I was turned down, the more I believed I was getting closer to making it. A lot of people in Korea say that failure is the mother of success, so I believed that more times I failed, the more likely I was to succeed.
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I try to make my fans happy by working hard in every film of mine, and I give my films everything I've got.
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Online hierarchies are inherently dynamic. The moment someone stops adding value to the community, his influence starts to wane.
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There are as many forms of happiness as sorrow, though most prove fleeting.
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'Power' is a funny thing. Maybe it's a show that draws people in because they are watching people do things they secretly wish they could do or know they could get away with.
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I'm a believer in home-made recipes and concoctions, so I stick to natural or herbal products as much as I can. I also meditate regularly to de-stress.
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I went to Beijing for the Olympics and was literally right across the track from Usain Bolt. And when he gets to full stride, for every two steps the other guy's taking, he's just taking one.
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I'm not a good dancer, but I try. I don't really have the moves.
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I think the most important thing for me in a relationship is honesty.
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The goal was always to do something that felt human but was 100 percent electronic.
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I'm just someone who observes a lot.
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Certainly Nancy Reagan had an extraordinary effect on her husband. I'm truly not sure that, say, Laura Bush had that much effect on the Bush administration. She certainly, you know, seems to be a nice person who I think the public likes. But I can't really put my finger on any huge impact she's had.
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If I started at 13, by the time I was 14 I was already good enough to play in front of people. I started off playing drums when I was 5, so playing in front of people didn't matter - not a problem.
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Labels and classifications of any type are not law, nor are they written in stone. It's up to us to be aware of this and confront it and break through it by doing things that shock and surprise people because they thought we could never achieve at that level.
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Personally, it's a comfort and happiness to know that my work is taken seriously and is not marginalised and put in a box of ethnic immigrant writing in America.
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The documentary 'Certifiably Jonathan' has engrossing moments in it. How can it not? It's got a great subject - the extraordinarily voluble comedian Jonathan Winters, whose constant rush of words can be like a blizzard: beautiful, maddening, exhausting, and finally beautiful again. But it's not a great film.
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The only thing that makes me uncomfortable is when people that do drink, don't drink around me.
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There aren't many people in the world who can say that they are doing the job they've wanted to do since childhood, so in that regard, I feel incredibly fortunate.
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Unfortunately, the public might not know that we get a script usually two days before shooting. So sometimes I'm shooting an episode and don't even know how it's going to end because I haven't read that yet.
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I always say it takes three weeks to know a character and three months to own it. And I think that's probably true of every theater artist. If you really want to see a performance of the show, wait three months.
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As much as I devoured comics, I read non-graphic books exponentially more, so I'm not sure I can credit or blame them. Comics, however, taught me a lot about what makes a story arc work and how to bring a story to its natural resting place between issues.
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Sex is a big question mark. It is something people will talk about forever.
