Catherine Mary Stewart Quotes
I became very close with Charles Bronson and his wife, Kim. We did 'Sea Wolf' together along with Christopher Reeve. I've been lucky enough to work with some amazing, legendary actors. I worked with Rod Steiger twice, for instance.
Quotes to Explore
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I met wonderful people playing in the NBA. Whether it is the officials, the scorekeepers, all the people who work for the NBA, not just for the Lakers, but I'm talking about just for the league itself.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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If I were to continue to work in an established mode, it stands to reason the work would be limited by this - that it would never surpass the prior work in quality.
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Playing baseball is fun. If I could play, I'd never retire. But managing is work. It's constant decisions of whose feelings you want to hurt all the time.
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If haters or whatever want to find you - I mean, some of them are so tenacious. You want to hire them to work for you. They're very, very savvy in terms of how they find you and get to you.
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Be aware of who in your life is actually interested in hearing you discuss your writing, and who's just asking to be polite. Listening to writers talk about their work is often excruciatingly dull.
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I always say, one way to connect with a working mother is to ask her what she has done before work that day!
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I understand how bureaucracies work. And that's important because our government has become a vast, huge, bloated, corrupt bureaucracy.
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I would really love to work with Clint Eastwood.
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An understanding of Sor Juana's work must include an understanding of the prohibitions her work confronts. Her speech leads us to what cannot be said, what cannot be said to an orthodoxy, the orthodoxy to a tribunal, and the tribunal to a sentence.
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When you work on a record for three years, it's a great sense of relief when it is finally out in the world. It just feels good.
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I just like when I work with people that are professional and good.
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I don't necessarily prefer playing villains. I know a lot of people say they are more fun, but if the scriptwriter has done their work well, you can find something realistic in a villain and find the mistakes in a hero - it's all down to the writing.
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Every film for every actor is a make-or-break film. I believe every film has the power to break you or make you. So, an actor will treat every film like his last film. That's the way we need to work, and that's the way you can drum up that passion needed to do good work.
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Almost nothing is presented to you on a silver platter. You have to really work for it.
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I hope it's always going to be a mix between theatre, film and radio. I've been very lucky living in London that you can do all that - in New York and L.A., there's more of a structure for film in L.A. and theatre in New York. In London, our industry is smaller, but it produces brilliant work all in one place.
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I would say the most satisfying thing actually is watching my three children each pick up on their own interests and work many more hours per week than most people that have jobs at trying to intelligently give away that money in fields that they particularly care about.
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Obviously I'd love to work with any of these great directors because every time I've worked with them I've gained a tremendous amount as an actor. Each director has his own way of pushing you towards improving yourself.
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The most important thing is to just do it. If I work at a higher level I have responsibility to do better than what I've done before. Sometimes the best happens - beyond possibility. Just do it. Can't worry about it.
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It's amazing how powerful a piece of work can be and how it can influence people and change. It's pretty interesting.
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I'm an animal-rights person, actually. Big time.
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Our plans miscarry because they have no aim. When a man does not know what harbor he is making for, no wind is the right wind.
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If they asked me, I did two shifts. I did sports, I did news, because I loved it.
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I became very close with Charles Bronson and his wife, Kim. We did 'Sea Wolf' together along with Christopher Reeve. I've been lucky enough to work with some amazing, legendary actors. I worked with Rod Steiger twice, for instance.
