Cathy Guisewite Quotes
Quotes to Explore
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I wake up late, say 10 or 11, because we've usually been out and about town until 2 or 3 A.M. listening to music at the jazz clubs or hitting the jazz clubs post-theater.
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One of the strangest experiences one can have is to sleep on stage, as I once did in Sydney when I'd lost the key to my flat. I had to stay at night in a bed, which conveniently was on stage because my character Sandy Stone did his monologue from a bed. To wake up looking at a shadowy auditorium is a very peculiar feeling.
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To my surprise, I have an Emmy nomination, and I have never even been to the Emmys! So it's like I am Cinderella. But actually having thought about it, I am Cinder-elder!
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I know so many people who are so much better at it than I am, and I think I'm a goofier person rather than a serious, dramatic actress, so I probably belong in comedy.
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I think it would be pompous to say I am an underrated actor. I don't think it is for me to think and decide; it is for people to decide. But I am glad I am underrated than being overrated - that is something I would find hard to digest.
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I'm a really heavy sleeper. When I wake up I'm a terrible morning person.
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Once you wake up and smell the coffee, it's hard to go back to sleep.
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Usually, the first thing I do when I wake up is I start working, so I often won't start the day by reading anything because I like to minimize my 'commute' as much as possible. I wake up, open my laptop and start working in bed.
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I'm not one of those people who wake up chatting. I usually don't want to speak for the first 10 or 20 minutes. And I don't really want you to talk to me either!
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Sometimes I wake up and think, 'I want to look like Sherlock Holmes today,' and other times I want to look like a witch from 'Macbeth.'
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I used to bring my sketchbook to gym class and doodle, because I am a very uncoordinated athlete.
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I couldn't be luckier to wake up every morning and be so excited to get to work, even if it's five in the morning.
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I want to get so famous that I don't have to wake up in the morning. It'll probably never happen.
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There are people who think I am Israeli. That's rubbish.
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But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
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There's some things you just have to live with. Like twelve cars camping outside your house, and when you wake up in the morning, they're going to follow you wherever you go. It helps that I live in Valencia. It eliminates some. But they're still here.
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I don't wake up in the morning and think about Franz Kline.
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I am in love with cars; I love anything that moves.
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It's a privilege just to wake up to a new day.
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I don't have an endgame. My game is to take on any bad guys I see out there. And do the best I can until they put me under the carpet.
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I gravitated to New York City in the late '70s to pursue a career in visual art, which is what I trained in at university.
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Underground people pay a desperate toll finding out things nobody else has discovered yet. We run around like headless chickens looking for the next cultural fix to spiral around in before it gets appropriated somewhere else and becomes something it never was. There's this sort of one-upmanship in the underground.
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I dug up my dad's old Fred Astaire tapes, and now I find him super-inspiring. He's, like, one of the best dancers.
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Wake me up when I'm a size 5.
