Cato the Elder Quotes
After I am dead, I would rather have men ask why Cato has no monument than why he had one.
Quotes to Explore
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I’ve never watched an entire episode of "American Idol." It’s too mean. Why would anyone want to go on a show to be ripped apart? I don’t want to be tough with my singers, but I do want to tell them on "The Voice" that if you really want this, you’ll be kicked when you’re down. You have to be willing to roll with those punches. You have to really want it.
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My best and worst 'Idol' moments? I don't have a worst 'Idol' moment... I've been spectacular. Yes, I am going to toot my own horn. And then my best moment is every single moment. I'll toot it again!
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I think one of the things I was shocked about was how interested the world is in 'American Idol' and how people, writers, they write about 'Idol' all the time, and I guess I didn't expect that.
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The only thing that happens when I'm teaching is that I hope there are some students out there in the class who will ask questions.
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If anyone asks how old I am, tell them it's none of their business!
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When the bank asks me about my assets, I include my friendship with Regis Philbin.
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On marriage to Jonny Lee Miller: It comes down to timing. I think he's the greatest husband a girl could ask for. I'll always love him, we were simply too young.
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When you set out for Ithaca, ask that your way be long
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It's easier to beg forgiveness than ask permission.
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Dallas Mavericks want me as a bald-headed 5' 8" guard with a 95" vertical. Vince Carter respect my legs, ask Shawn Kemp.
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When reality television really hit, I just had a backlash towards reality. It seemed like a cheap way to make a product. And then when music reality and 'Idol hit,' I just didn't watch it, it seemed novelty. And of course the story of 'Idol,' this is one of the greatest stories in television history.
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Theatres, actors, critics and public are interlocked in a machine that creaks but never stops. There is always a new season in hand and we are to busy to ask the only vital question which measures the whole structure. Why theatre at all? What for? Is it an anachronism, a superannuated oddity? Surviving like an old monument or a quaint custom? Why do we applaud and what? Has the stage a real place in our lives? What function can it have? What could it serve? What could it explore? What are its special properties?
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Whatever the United States asks for, they will be given.
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Some god or Weltgeist has been making a movie out of us for the past six thousand years, and now we have turned a corner on the movie set of reality and have discovered the boards propping up the two-dimensional monuments of human history. The movement of humanism has reached its limit, and now at that limit it is breaking apart into the opposites of mechanism and mysticism and moving along the circumference of a vast new sphere of posthuman thought.
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Love is no love which asks for a return.
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She never told her love, but let concealment, like a worm 'i th' bud, feed on her damask cheek. She pinned in thought; and, with a green and yellow melancholy, she sat like Patience on a monument, smiling at grief. Was not this love indeed? We men may say more, swear more; but indeed our shows are more than will; for we still prove much in our vows but little in our love.
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a young woman in love always looks like patience on a monument smiling at grief
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I would lose straight away if I went on 'American Idol.
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I think we’re at the stage where we’re not musicians but not idols either. In a way, we also feel bad for being called idols
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I hate the way people use slide presentations instead of thinking. People would confront a problem by creating a presentation. I wanted them to engage, to hash things out at the table, rather than show a bunch of slides. People who know what they're talking about don't need PowerPoint.
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People build up a picture of Johnny Depp as being some sort of weird pirate character. In reality he's incredibly nice... one of the nicest people I've ever met.
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History has a way of coming back to you. In the case of Janis Joplin appearing at the festival in 1968, her performance affected the life of a Bostonian who is now a member of the Newport Festivals Foundation Board of Directors. Ward Mooney was so affected and emotionally involved in Janis’ performance at Newport, that when he heard the festival was going nonprofit, he knew wanted to become a part. Janis was beautiful, gracious and respectful, and the power of her Newport performance continues to live on.
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After I am dead, I would rather have men ask why Cato has no monument than why he had one.
