Cecelia Ahern Quotes
Quotes to Explore
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With network, shows are pulled half the time after three episodes whether they're good or they're not good. It's a numbers game. With cable, they can take a lot more liberties.
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Sometimes when you do interviews, it gets twisted up.
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If you meet a girl, you meet a girl. It's normal, so if you exchange numbers, whatevs, it's cool.
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Many past products advertised in old publications can be profitably promoted all over again. Sometimes, just by giving them a new twist or modern application, you'll hit a real winner.
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Sometimes you've got to know when it's time to leave the party.
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Sometimes, just the act of venting is helpful. Counseling provides a safe haven for precisely that kind of free-ranging release: You can say things in the therapist's office, with the therapist present, that would be incendiary or hurtful in your living room.
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Nepotism sometimes can be a lose-lose situation.
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When I was much younger, I sometimes felt rejected by feminists because of an image that I sold because it paid the bills. Any fool could tell my hair is dyed.
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I was a mixture of a country boy and a town boy, really. Chichester is a town on the coast of England, and I grew up all along that strip of coast that Chichester branches out into. Sometimes I was living in a house in the country, and sometimes I was living in a town.
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I sometimes joke, Paula, even paranoid people have enemies.
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When you think about the Americans with Disabilities Act and what it takes for employers sometimes to accommodate a person with disabilities, when we talk about reasonable accommodations - it's doable, but the payoff isn't always obvious right away.
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Sometimes sushi is just superb, and other times there's nothing like a great big steak. It depends where your taste buds are at the time.
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Sometimes I feel like an impostor, and I have to remind myself, 'You are able to do this.' I look at the books on the shelf that have my name on them to remind myself I have done it before and, likely, I can do it again.
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I quite like to sing, actually - just belting out numbers with my guitar. I find that it's a form of tranquility.
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The secrecy thing has gotten to be more and more prevalent in films, and maybe that's good. It's nice to go see a film and not know anything about it. Sometimes I feel like we know too much about films.
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Hip-hop is really standoffish. It's really competitive and it's really about who's number one all the time. Sometimes it gets out of hand.
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Sometimes I draw blanks.
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In South Africa, we speak English and sometimes Afrikaans, sometimes Zulu, sometimes Xhosa.
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I suppose I like certainty as much as anyone else, but I also feel that the hidden costs are high, that we pay a heavy price for our convictions. This is a human issue as well as a writing issue - at least in the personal essay as I practice it. Any real essayist knows that certainty is an editorial decision, arrived at not through conviction but through suppression, the denial of a whole range of possibilities, of alternatives that we jettison, sometimes necessarily, in order to steady the ship.
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The greatest threat to extremism isn't drones firing missiles, but girls reading books.
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I would define independent film as a movie that is not financed by any of the smaller film companies. Because then, those are movies that in all likelihood are made without stars. And then they have to rely just on the material.
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Well, I can certainly see why we're trying to keep them alive. Who wouldn't want pets that can burn, sting, and bite all at once?
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Sometimes wrong numbers are the right numbers
