Cecile McLorin Salvant Quotes
I remember in school - in elementary school - I used to recite poems. We'd have to recite poems. And I would always just, like, roll on the floor, like, just make it such a huge, melodramatic portrayal of whatever it was.
Quotes to Explore
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R. C. Buford has been a huge help to me with his support.
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No one who knew Diana will ever forget her. Millions of others who never met her, but felt they knew her, will remember her.
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I definitely think being a young girl, there's a time where - like when you're in middle school or when you first start liking boys - you don't really feel comfortable. You remember that time when you first got your period, or when your boobs started coming in, that you were like, 'This is weird.' You have to grow into yourself.
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I never went to drama school, but I did learn a couple of things along the way.
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I got out of grad school in 2000. I was about 26 years old. I've always said that I was late to acting because I didn't really start doing it in a focused way until I was in my early 20s.
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To this day I don't ever remember seeing a pet inside Moscow, I never saw anyone carrying a dog, or leading a dog. Err I finally saw a, a pet some years later in Kiev, so I thought that life must have been, different.
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I would never try and do a remake off a movie. I think that's a whole different thing. I think everyone will always remember the first movie, and they will always compare it with the second one.
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There is an epidemic right now of girls dumbing themselves down... in middle school because they think it makes them attractive.
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My dad was a Muslim and would pray five times a day. I would pray with him as much as I could, in the morning before school. Sometimes he would tell us moralistic tales about genies, magic carpets and wondrous lands. My mother is not religious - she's just English.
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Jazz is the big brother of the blues. If a guy's playing blues like we play, he's in high school. When he starts playing jazz it's like going on to college, to a school of higher learning.
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My approach to acting is the 'let's pretend' school of acting.
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I have been fully involved in designing my stage shows; it's important to me to do something really unique and almost off-the-wall to bring the music and the visuals together. I love design and actually went to school for a bit for graphic design, so it isn't so much 'pressure' for me; it's a way to be creative, and I really enjoy it.
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I learned how to draw from being bored in school. I would doodle on the margins of my paper.
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I think it's an important thing, if you grew up in a neighbourhood that's different from the rest of the world, to remember what was different about your place and keep that in your heart, because that's what made you.
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I want people to say at the end of my day, you know, like I used to say about Sidney Poitier and James Cagney and Joan Crawford and Red Skelton and those guys and Bill Cosby. They did quality and substance. You always remember them.
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I vividly remember watching women in films when I was nine or 10, picturing them being what I'd be like as an adult. I had these real female crushes on certain actresses. And I'd watch them, thinking, 'One day, I'll be that. One day I'll be a woman.'
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I do not remember any proper children's books in my childhood. I was not exposed to them.
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The thing about a music career is that it ain't over until the fat lady sings. Look at all the times people threw in the towel on Dylan - or Neil Young. Remember when Young was doing things in the '80s like 'Trans' and the rockabilly album and being completely lambasted by critics who now think he is wonderful again?
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I remember how my world expanded in amazing fashion by that magical operation of translating words into images, and images into stories.
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I get asked to give stuff to my dad. I'm, like, 'I'm not gonna pass your script to him!' You know? My dad's my dad. I'm not his agent.
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I remember in school - in elementary school - I used to recite poems. We'd have to recite poems. And I would always just, like, roll on the floor, like, just make it such a huge, melodramatic portrayal of whatever it was.
