Cecile McLorin Salvant Quotes
I did everything I could to not bring in any of the - any of the technical things I got from classical into jazz. And I did everything to really base it on my speaking voice and to just not try to make it sound pretty.
Quotes to Explore
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I am often in contact with the hareidi public and politicians.
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In 1949 - my father stayed on in Shanghai after the war. But in 1949, the Communists took over the whole of China, and in fact, my father was caught by the Communists in Shanghai. And he was there for about a year until he was finally able to get out.
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I had this maroon 'Lion King' tracksuit that my mum couldn't take off me. I wore it until the sleeves ended at my elbows and the trousers ended at my knees.
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It was my wish since I was a child to become something, to be able to stand on my own two feet, to do something for myself.
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Knowledge is sometimes superfluous: when we need it, we have it not.
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Gosh, I couldn't even talk right until I was about 6 years old or something like that.
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You have a lot of great teams in the NBA. I watched San Antonio against Dallas, and they're two great teams, and there are great teams in the east, as well. So it takes time to gel, as we've all seen.
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Regardless of my legislation, spending has to be stopped.
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I really woke up one morning and said, you know, 'I haven't seen a good film about the American Revolution. And all the ones I have seen haven't been successful, but I'm going to make a successful one.' Well, I wasn't able to do that.
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I completely agree with feeling the need for or the benefits of being pushed and of being directed on a project and collaborating.
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I had a terrible bout of acne after I turned 30.
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I get recognized by some people in my community, but not a lot. In fact, they would say, 'What do you do?' And I would say, 'Well, I did 'The Bernie Mac Show.'' And they would say, 'Oh, really? Well, do you know so-and-so?' And I'd say, 'Yeah, I hired them. I was the boss!' They don't believe it.
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I want to win championships.
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I'm just being normal. A normal woman. Well, I don't know what a normal woman is, but I'm a woman and I'm Yoko and I've never changed that.
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As American freemen, we cannot but sympathize in all efforts to extend the blessings of civil and political liberty, but at the same time, we are warned by the admonitions of history and the voice of our own beloved Washington to abstain from entangling alliances with foreign nations.
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What makes the production of my work so expensive? The whole installation thing - the construction, the objects, the technology. It really adds up.
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I drive a big Dodge truck. I drive American cars.
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The pretended admission of a fault on our part creates an excellent impression.
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Jazz shouldn't have any mandates. Jazz is not supposed to be something that's required to sound like jazz. For me, the word 'jazz' means, 'I dare you.'
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Not that painting would have been a release. The reason for doing it is the desire to create. I've got to do it! I've seen that, I can still remember it, I've got to paint it.
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The costs were greater than anticipated to the tune of, I would say, hundreds of millions, ... The slippages were actually more dramatic than the costs. As we slipped, the costs were pushed to the right.
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The important point was that whatever errors America had made [in Vietnam] "we are so powerful [according to Secretary Kissinger] that Hanoi is simply unable to defeat us militarily" and must therefore eventually be forced to compromise.
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We must stop the trend of closing schools and building prisons.
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I did everything I could to not bring in any of the - any of the technical things I got from classical into jazz. And I did everything to really base it on my speaking voice and to just not try to make it sound pretty.
