Cecile McLorin Salvant Quotes
I did everything I could to not bring in any of the - any of the technical things I got from classical into jazz. And I did everything to really base it on my speaking voice and to just not try to make it sound pretty.
Quotes to Explore
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I am often in contact with the hareidi public and politicians.
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In 1949 - my father stayed on in Shanghai after the war. But in 1949, the Communists took over the whole of China, and in fact, my father was caught by the Communists in Shanghai. And he was there for about a year until he was finally able to get out.
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I had this maroon 'Lion King' tracksuit that my mum couldn't take off me. I wore it until the sleeves ended at my elbows and the trousers ended at my knees.
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It was my wish since I was a child to become something, to be able to stand on my own two feet, to do something for myself.
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Knowledge is sometimes superfluous: when we need it, we have it not.
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Gosh, I couldn't even talk right until I was about 6 years old or something like that.
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You have a lot of great teams in the NBA. I watched San Antonio against Dallas, and they're two great teams, and there are great teams in the east, as well. So it takes time to gel, as we've all seen.
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I love dressing up.
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Regardless of my legislation, spending has to be stopped.
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I really woke up one morning and said, you know, 'I haven't seen a good film about the American Revolution. And all the ones I have seen haven't been successful, but I'm going to make a successful one.' Well, I wasn't able to do that.
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I completely agree with feeling the need for or the benefits of being pushed and of being directed on a project and collaborating.
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I had a terrible bout of acne after I turned 30.
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I get recognized by some people in my community, but not a lot. In fact, they would say, 'What do you do?' And I would say, 'Well, I did 'The Bernie Mac Show.'' And they would say, 'Oh, really? Well, do you know so-and-so?' And I'd say, 'Yeah, I hired them. I was the boss!' They don't believe it.
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I want to win championships.
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I'm just being normal. A normal woman. Well, I don't know what a normal woman is, but I'm a woman and I'm Yoko and I've never changed that.
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As American freemen, we cannot but sympathize in all efforts to extend the blessings of civil and political liberty, but at the same time, we are warned by the admonitions of history and the voice of our own beloved Washington to abstain from entangling alliances with foreign nations.
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What makes the production of my work so expensive? The whole installation thing - the construction, the objects, the technology. It really adds up.
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I drive a big Dodge truck. I drive American cars.
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I know there's bands that might write something that sounds like The Smiths, and they'll go, 'Oh, it sounds like The Smiths, we've got to make it sound not like The Smiths.'
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Nothing in life is promised except death.
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The whole thing of working in collaboration with filmmakers is the thing that I love the most, and possibly the thing I do the best.
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I did everything I could to not bring in any of the - any of the technical things I got from classical into jazz. And I did everything to really base it on my speaking voice and to just not try to make it sound pretty.
