Nigel Sylvester Quotes
Quotes to Explore
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I'll come and make love to you at five o'clock. If I'm late start without me.
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I was always one of those fortunate people who never wanted to be anything other than a singer and an actor. Most people know me as a singer, but I am also an actor.
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London, from the architecture to the culture to the fashion to the accents, feels like it's a special place.
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There are no hard distinctions between what is real and what is unreal, nor between what is true and what is false. A thing is not necessarily either true or false; it can be both true and false.
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Anybody who has spent time with the networks - in fact, you don't even have to spend time with the networks, all you have to do is just watch primetime TV - and you think, 'What the hell are they doing? I could run the network better.' And I think everybody feels that way.
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I don't think that anyone can prepare for raising a child. I think it's one of those jobs that is far more overwhelming than you could ever expect and far more satisfying than you can ever expect.
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You learn about winning at a different level. College is a much different level than the professional game. It's exciting and it's high energy. But as we know, there's very few that come and play in this game.
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I like that we don't have to come out the first 10 minutes and score, you know, with joke, joke, joke. We can open it in a more novel way and keep playing different pranks as we go through the thing.
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I don’t feel that it is necessary to know exactly what I am. The main interest in life and work is to become someone else that you were not in the beginning. If you knew when you began a book what you would say at the end, do you think that you would have the courage to write it? What is true for writing and for love relationships is true also for life. The game is worthwhile insofar as we don’t know what will be the end.
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I’m just living the dream. I eat, sleep, breathe it.
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It's fantastic for the game, hopefully we have done a lot for it already and hopefully we can do a bit more yet.
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As I grew older and more mature, I've been able to move beyond the immediate response of violence to a projection of the pragmatic, political consequences of that violence. So it's an effort to attain equilibrium.
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I think actors are meant to have crises of faith; I think it's part of the job. I think it makes you a stronger person and a stronger actor.
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Sometimes following God means throwing caution to the wind. Sometimes caution is a symptom of faithlessness.
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'The Night Following' is very interior; the events are, to a large degree, mental events.
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They want to let the audience figure things out and let the reaction shot get the laugh.
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No actor wants to play to an empty house.
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I bet you can't eat ten bananas!" "I bet you're right.
