Cesar Romero Quotes
George Raft may or may not have gone both ways, but he was very sensitive to what they said about him, and it was one factor why he decided to play all those gangsters in the movies.
Quotes to Explore
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My parents did their best - that earns a lot of forgiveness. But they say children grow up in spite of their parents, and I think I did.
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If you have a movie coming out, and people are talking about you, the amount of scripts will build.
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I don't write under the ghost of Faulkner. I live in the same town and find his life and work inspiring, but that's it. I have a motorcycle and tool along the country lanes. I travel at my own speed.
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The British Museum was our first real museum, the property of the public rather than the monarch or the church.
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If you don't want to get bored with what you're doing, you have to change.
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Increase of material comforts, it may be generally laid down, does not in any way whatsoever conduce to moral growth.
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When I get to work with someone like Prabhu Dheva at the beginning on my career, why would I say no?
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I put my thoughts in a book, which must mean I don't want anyone to read them.
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If in 1989 I said, 'I have an idea: Bottle water and sell it. And charge more than a beer,' they would have chased me around with a giant butterfly net. The same with paying to watch a television station.
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At the beginning, I experienced writing as a sort of constraint. Starting so young as a writer is pitiable: it's beyond your powers; you have to lay bare things that are very heavy, and you don't have the means for that.
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When I'm on Faro, I'm never lonely.
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I am more excited about 'Divinity of Doubt: The God Question' than any other book in my entire career, and I've had seven New York Times bestsellers, three of them reaching number one.
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I have been absolutely hag-ridden with ambition. If I could wish to have anything in the world it would be to be free of ambition.
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My first job entailed spending a summer working in a cornfield in Nebraska.
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People do ask me if I think I can make it in the States.
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What musicals need is a new me.
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The team doctor, the team trainers, they work for the team. And I love 'em, you know. They're some good people, you know. They want to see you do good. But at the same time, they work for the team, you know. They're trying to do whatever they can to get you back on the field and make your team look good.
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I have always said that after sport, I wanted a life, I wanted an opportunity, I wanted to be able to do something. And if something happens - the economy falls out or the dollar is worthless, anything could happen - you have to be ready to work. And I'm ready.
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I was a late bloomer, but I had a career as a contemporary dancer before that, so I had some kind of connection to this world. But I was always a little more in love with the drama of dancing than the aesthetics, so I thought, 'Why don't you give it a chance if you think you can do it a little different?'
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We shouldn't need riot police at schools.
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I am writing more than I have ever done. My life has come back to me in the most extraordinary way.
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You look at Moto3, the races are very exciting. Moto2 is fantastic, and then MotoGP is boring.
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But I had not quite fixed whether to make him [Don Juan] end in Hell-or in an unhappy marriage,-not knowing which would be the severest.
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George Raft may or may not have gone both ways, but he was very sensitive to what they said about him, and it was one factor why he decided to play all those gangsters in the movies.
