- All Quotes
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I'm not a misogynist, so you can dispense with that. I think I've done wonders for the feminist movement.
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Well, as anyone who actually writes knows, if you sit down and are prepared, then the ideas come. There's a lot of different ways people explain that, but, you know, I find that if I sit down and I prepare myself, generally things get done.
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My muse is my wife. It's not some vague thing that flutters around the astrosphere or wherever it is. Sometimes as a songwriter you need something to hang a song on, to give it some kind of presence and form. For me, Susie is that.
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I don't think Hollywood makes many good films anymore. How many directors can you really trust to have an artistic vision, not a corporate vision or a watered-down communal one?
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I'm a kind of hard-wired pessimist. I can't help but see the world in a certain kind of way.
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There's that kind of song, "Whoah baby, I love you," which doesn't have a visual element, but a very strong emotional element, and these are the great songs to me - those ones that you put them on and they just make you feel great, or whatever.
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I don't feel I'm thrown around by the winds of taste and fashion.`
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I've had to try and find a way over the years of writing narratively that doesn't really require you to sit down and work out what the story's about. You're brought into a sort of sequence of images that have that emotional resonance, but it's kind of irrelevant what the actual story is. It's taken me maybe 13 albums or something to work that out.
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Love songs come in many guises and are seemingly written for many reasons – as declarations or to wound – I have written songs for all of these reasons – but ultimately the love songs exist to fill, with language, the silence between ourselves and God, to decrease the distance between the temporal and the divine.
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Writing is a necessary thing for me, just to keep myself level. It has beneficial effects on my life.
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I think there's a certain numbness in modern society, that accepts certain kinds of violence, but represses other kinds of violence.
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At some point you start seeing the difference between what you really want, and what is your priority order. I feel that today I know what I want. That's the problem with perspective, as well as focus and concentration.
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I feel like I've spent the last five years of my life on the road. It hasn't affected my songs but it's probably affected everything else about me. Obviously, the more you travel, the wilder the things that keep happening to you, the more likely it is you'll get complete strangers knocking on your hotel room door.
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And I kissed away a thousand tears My lady of the Various Sorrows Some begged, some borrowed, some stolen Some kept safe for tomorrow.
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I get criticized for a lot of what I write about, but as far as I'm concerned I'm actually standing up and having a look at what goes on in the minds of men, and I have the authority to talk about it because I'm a man.
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The way people reacted to me in dressing rooms and so on was incredibly aggressive. They know every record and they seem to think they should nudge me or bump into me as they go past. It was this incredible performance that used to amuse me. In the early days, people were drawn towards us like they'd be drawn towards a car smash...There is a definite relationship between that fanaticism and the fan that, as a performer, you expose more of yourself, of the undercurrents of your personality. Most rock personalities subdue that or choose not to explore it.
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Stars have their moments then they die.
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The big problem with songwriting for me is starting a new song. It's the thing where all the anguish exists, not in the writing of the song, but the starting of the new song.
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I love being manipulated by what I see. I love weepies and romantic comedies where you're reaching for the Kleenex at the right moment.
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Not my biggest fear, but my biggest problem onstage is over-emphasizing what I do. I'm pushing too hard. You need to engage an audience. They need to be able to involve their own imaginations as well. They don't need everything thrust down their throat, and I have a tendency to do that. I always have had a tendency to do that.
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The way I go about writing records is that I make a calendar date to start the new record, so I have nothing. I don't have a bunch of notes that I bring into the office, I start with nothing at all.
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It's a wonderful life if you can find it.
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What I want people to recognize is that we have to keep working together and take charge because we all have the same story.
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Polly Jean, I love you. I love the texture of your skin, the taste of your saliva, the softness of your ears. I love every inch and every part of your entire body. From your toes and the beautifully curved arches of your feet, to the exceptional shade and warmth of your dark hair. I need you in my life, I hope you need me too.