- All Quotes
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It's an Australian thing to be dismissive. We find that endearing. Americans don't. They believe what you say.
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Outside the world of politics, one person in the world of the arts I would mention as an influence is Nick Cave, another person who has been around since the late 1970s. He has developed and changed remarkably, whilst remaining true to his vision. He has been a great help to me as well, without his knowing it.
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Well, as anyone who actually writes knows, if you sit down and are prepared, then the ideas come. There's a lot of different ways people explain that, but, you know, I find that if I sit down and I prepare myself, generally things get done.
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I have to be able to pull you in. How can I diversify my audiences? What role do I have to play to be part of that shift? I have to take that seriously.
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Writing screenplays makes me a better musician because it clears my head. After writing a movie, I go running back to music as fast as I can.
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I love performing. I can get to be that person I always wanted to be - godlike.
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I don't particularly believe all love is doomed. But I guess, one is usually kinda suffering from some aborted love affair or association, rather than being at the peak of one. I think it's fairly obvious that a lot more suffering goes on in the name of love than the little happiness you can squeeze out of it.
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When you've been initiated, you can stand in the world differently. And I think it is up to all of us, we can have cheerleaders, we can have supporters, but it comes down to us as individuals, how do we now proceed? Do we have the tools to proceed?
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This is how it essentially is for Bunny Junior. He loves his dad. He thinks there is no dad better, cleverer, or more capable, and he stands there beside him with a sense of pride - he's my dad - and he also, of course, stands beside him because he has nowhere else to go.
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The editing of a song is largely what makes the song for me and I think that actually if I had started going like 'I want you to burn' it would have pinned that song down to a particular thing and made that song a smaller idea than what it is. By leaving that off it's much more open, broader.
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I write hate lyrics really well. It's not every day you can use them, really.
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I feel like I've spent the last five years of my life on the road. It hasn't affected my songs but it's probably affected everything else about me. Obviously, the more you travel, the wilder the things that keep happening to you, the more likely it is you'll get complete strangers knocking on your hotel room door.
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I'm a believer. I don't go to church. I don't belong to any particular religion, but I do believe in God. I couldn't write what I write about and be creative without a certain form of belief.
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I love America. I really do. It's by far the place I like visiting out of anywhere in the world. I get a palpable sense of excitement when the plane's landing. It's a cliché, but there's still an incredible energy about New York in particular.
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The concept of God in America is very different than it is in England. Because we see the horrendous outcome of religion as being an American thing, in which the name of God has been hijacked by a gang of psychopaths and bullies and homophobes, and the name of God has been used for their own twisted agendas.
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I think there is a certain perversity in my music in that I continue, you know, to eat at the same ball of vomit year after year.
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I don't feel I'm thrown around by the winds of taste and fashion.`
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At some point you start seeing the difference between what you really want, and what is your priority order. I feel that today I know what I want. That's the problem with perspective, as well as focus and concentration.
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Stars have their moments then they die.
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I'm not religious, and I'm not a Christian, but I do reserve the right to believe in the possibility of a god.
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Writing is a necessary thing for me, just to keep myself level. It has beneficial effects on my life.
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There's that kind of song, "Whoah baby, I love you," which doesn't have a visual element, but a very strong emotional element, and these are the great songs to me - those ones that you put them on and they just make you feel great, or whatever.
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One thing that I'm really interested in is the kind of esoteric detail that surrounds these great figures. And Wikipedia is full of that kind of stuff, whether it's true or untrue. It staggers me: why, in the short space assigned to a person or an event, that kind of random information is there. To be honest, that's wonderful fuel for songwriting.
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I don't think Hollywood makes many good films anymore. How many directors can you really trust to have an artistic vision, not a corporate vision or a watered-down communal one?