Chantal Joffe Quotes
When you're looking through a magazine, what makes you stop and think is when you see an image and imagine the narrative that is going on inside of it. Those are the ones I make into paintings.
Quotes to Explore
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Yesterday, I did some painting then went out to buy an onion and came home and watched 'University Challenge.' The onion was probably the highlight.
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Through a painting we can see the whole world.
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Most people don't really like to pose. It is difficult to get them to be present and relaxed under this kind of molecular scrutiny. I want them to understand I'm not simply painting them: I am painting them within a precise moment in time, as a shadow moves across their eyebrows. Then it is gone. The moment is over.
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I can't imagine working without and audience.
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I wrote as a kid, but I never wanted to be a writer, particularly. I had been drawing and painting for years and loved that.
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I was always interested in the arts as a child - drawing, painting, and piano - but acting became a favourite. I was a major theatre geek in high school - if I wasn't in the drama room at lunch rehearsing, I'd be in the art room finishing up some type of project.
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Sculpture is the best comment that a painter can make on painting.
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The hardest part of doing anything creatively is just getting up and doing. Once I get out of bed and get into my art room, I start painting. I'm there. And I'm doing it.
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A large vocabulary is like an artist having a big palette of colors. We don't have to use all the colors in a single painting, but it helps to be able to find just the right shade when we need it.
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It happens that all those who have something of mine, painting, mobile, or static statue, say that it makes them very happy. For example, children adore mobile statues and understand their meaning immediately. I have seen children, here in France, in America or in Great Britain, run and shout with joy in my exhibitions. They like it instinctively.
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The kind of painting which I find exciting is not necessarily representational or non-representational, but it is musical and architectural... Whether this visual relationship is slightly more or slightly less abstract is, for me, beside the point.
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My secret pleasure is painting these little mini figures that you send into battle - they're called Warhammer figures. It's the nerdiest thing in the world, but it's a lot of fun. It's relaxing; that's the main reason I do it.
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My work since the late '80s specifically questioned what was presented as the 'natural' order of things in the history of post-war-N.Y. painting.
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So much of the history of painting is the propaganda of self-aggrandizement.
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I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and episodic quality that music normally has. I called this 'ambient music.' But at the same time I was trying to make visual art become more like music, in that it changed the way that music changes.
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I needed an outlet in high school and came across painting. I've actually been painting longer than I've been acting. A movie is a collaborative effort, and with painting you just have yourself.
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How do you make something the same but different? That's the question I had to deal with in my approach to the cover painting for 'Percy Jackson's Greek Heroes.' I wanted it to have many similarities to 'Percy Jackson's Greek Gods,' but I knew they couldn't be too similar.
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Like the postcard collages, the colors are shapes in a landscape. In this case his collage 'Napoleon at Würtsburg' it is a painting of a landscape, not a photo as in the postcards collages, and therefore a contrast of the traditional painting and a presentation of literal space on top of depicted space.
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Then I got this idea in my head that magazines were like a gallery and if you got your magazine page ripped out and someone stuck it on their refrigerator, then that was a museum – someone’s private museum.
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'Alias' was very action-packed. 'G.I. Joe' and 'Conan' were very action-packed. It's been established that I can do action, which is great, but now I may just want to make out with a really hot guy.
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I used to shop in ASDA all the time. Every now and then I still go in to get a little salad for lunch.
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We make every show different with a unique set list. Playing different songs at each show keeps us a little nervous and more attentive.
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Michael John's music is soul-stirring. It gets inside the deepest part of you; it's almost a chemical reaction.
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When you're looking through a magazine, what makes you stop and think is when you see an image and imagine the narrative that is going on inside of it. Those are the ones I make into paintings.
