Charles Baxter (Charles Morley Baxter) Quotes
Try to get your characters into interesting trouble. Allow your characters to misbehave. Let them stay out after 11.

Quotes to Explore
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The worldview implied by literary fiction is complex and ambiguous, trying to be faithful to the complexity and ambiguity of life.
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And while I might not always agree with the viewpoint I have to portray, because I play a district attorney, as an actress I can always tell myself that my character is trying to take the moral high ground.
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I started in theatre, and for me, it was all about transformation. You transform into the character that you're playing.
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I'm not trying to be the next Dave Grohl or Phil Collins.
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You can make more friends in two months by becoming interested in other people than you can in two years by trying to get other people interested in you.
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The thing that intrigued me about 'Breaking Bad' from day one was the idea of taking a character and transforming him.
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At the Norman Invasion, the Saxon thanes were themselves humbled in turn; the manors were given a more legal character and transferred to favourites of William the Conqueror.
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The hero is changing in Bollywood, and I approach a hero's role like a character by focusing on its weaknesses. I feel the weaknesses of a character make them more alive, relatable, and human.
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We have got into Indian railways and are trying to get into the railway locomotive business in Europe and the United States.
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Trying to write music that's sensitive to 400 years ago takes a bit of madness, as it's such a long stretch of time.
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I've been acting my whole life. I have this huge imagination! I'm a dancer and my mom's a dance teacher, and I was always performing and entertaining people. I'd go to see live theatre or a movie, and I'd become the main character for a few days afterwards. I loved being somebody new for a temporary amount of time.
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'Troublemaker' is not an adaptation of 'Metro Girl' or 'Motor Mouth.' It is an original story. The hardest part was probably trying to keep the sound true to the novels. I always write in first person, and it was important to us that the readers of 'Metro' and 'Motor' be comfortable with the change over to a graphic novel.
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Some people read an interesting or provocative newspaper article, and that's the end of that. A writer reads such an article, and her imagination gets fired up. Questions occur to her. She might feel an urge to finish the story that the article suggests.
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Your peers will respect you for your integrity and character, not your possessions.
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I used to see my friend Harland Williams in a lot of auditions. Then you'd see one of the DeLuise kids because they're kind of heavy and character-y. You'd just see a lot of the same guys over the years.
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Advertising works most effectively when it's in line with what people are already trying to do. And people are trying to communicate in a certain way on Facebook - they share information with their friends, they learn about what their friends are doing - so there's really a whole new opportunity for a new type of advertising model within that.
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It's very unusual for scenes to be added for a character.
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I'm trying to go beyond the traditional cliches of an African safari.
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People are trying to figure out what American food is; it's certainly an amalgamation.
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Even if I stumble on to the absolute truth of any aspect of the universe, I will not realise my luck and instead will spend my life trying to find flaws in this understanding - such is the role of a scientist.
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I'm really lucky that I've had a little gang of people who I've been involved with for a long time... I've been really lucky to have a gang of people who have always been there to encourage me to get on with it. Styles come and go, but I try not to take any notice of that.
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It's good to raise awareness that men and boys are struggling, at least many of them are. But why say men are finished? It's too harsh, too sweeping, and it happens to not be true.
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The power of the present moment is so immense it is capable - when lived in fully - of destroying forever every past mistake and regret.
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Try to get your characters into interesting trouble. Allow your characters to misbehave. Let them stay out after 11.