Charles Baxter (Charles Morley Baxter) Quotes
Try to get your characters into interesting trouble. Allow your characters to misbehave. Let them stay out after 11.
Quotes to Explore
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To be honest, I think for part of my late teens my character didn't really develop very much. I was in a state of cold storage.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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The worldview implied by literary fiction is complex and ambiguous, trying to be faithful to the complexity and ambiguity of life.
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And while I might not always agree with the viewpoint I have to portray, because I play a district attorney, as an actress I can always tell myself that my character is trying to take the moral high ground.
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This character in the film, these things that he says which sound like advice and wise things, they are very common for Orientals. It's all the tradition.
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I started in theatre, and for me, it was all about transformation. You transform into the character that you're playing.
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When I'm singing, it's a mixture of my innocence in the projects, my mom and dad. It's all the good and the bad, the laughs and the frowns that I went through and seen other people go through. Then you be trying to write it. Whatever's coming out, you try and make it all cool.
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I'm not trying to be the next Dave Grohl or Phil Collins.
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You can make more friends in two months by becoming interested in other people than you can in two years by trying to get other people interested in you.
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The thing that intrigued me about 'Breaking Bad' from day one was the idea of taking a character and transforming him.
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At the Norman Invasion, the Saxon thanes were themselves humbled in turn; the manors were given a more legal character and transferred to favourites of William the Conqueror.
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The hero is changing in Bollywood, and I approach a hero's role like a character by focusing on its weaknesses. I feel the weaknesses of a character make them more alive, relatable, and human.
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We have got into Indian railways and are trying to get into the railway locomotive business in Europe and the United States.
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Trying to write music that's sensitive to 400 years ago takes a bit of madness, as it's such a long stretch of time.
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I've been acting my whole life. I have this huge imagination! I'm a dancer and my mom's a dance teacher, and I was always performing and entertaining people. I'd go to see live theatre or a movie, and I'd become the main character for a few days afterwards. I loved being somebody new for a temporary amount of time.
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In a democracy, you have to find a market niche, make sure a novel is 'interesting' and 'spectacular.' That may be the toughest censorship of all.
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Serious reflexion about one's own character will often induce a curious sense of emptiness; and if one knows another person well, one may sometimes intuit a similar void in him. (This is one of the strange privileges of friendship.)
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'Troublemaker' is not an adaptation of 'Metro Girl' or 'Motor Mouth.' It is an original story. The hardest part was probably trying to keep the sound true to the novels. I always write in first person, and it was important to us that the readers of 'Metro' and 'Motor' be comfortable with the change over to a graphic novel.
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Some people read an interesting or provocative newspaper article, and that's the end of that. A writer reads such an article, and her imagination gets fired up. Questions occur to her. She might feel an urge to finish the story that the article suggests.
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Psychological horror is more interesting to me than the explicitly physical.
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I'm 26 years old, and I've spent my whole life waiting for something else to start. Now I realize that this is all there is, and I'm going to try to live my life like that.
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They must be either for or against us. Distrust them and you make them your enemies, place confidence in them, and you engage them by every dear and honorable tie to the interest of the country, who extends to them equal rights and privileges with white men.
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There's always music that moves me. It doesn't necessarily mean that it's within the parenthesis of rock or blues, or whatever. It's usually far more reaching than that. It can be in many different genres.
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Try to get your characters into interesting trouble. Allow your characters to misbehave. Let them stay out after 11.
