Charles Baxter (Charles Morley Baxter) Quotes
Try to get your characters into interesting trouble. Allow your characters to misbehave. Let them stay out after 11.
Quotes to Explore
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To be honest, I think for part of my late teens my character didn't really develop very much. I was in a state of cold storage.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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The worldview implied by literary fiction is complex and ambiguous, trying to be faithful to the complexity and ambiguity of life.
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And while I might not always agree with the viewpoint I have to portray, because I play a district attorney, as an actress I can always tell myself that my character is trying to take the moral high ground.
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This character in the film, these things that he says which sound like advice and wise things, they are very common for Orientals. It's all the tradition.
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I started in theatre, and for me, it was all about transformation. You transform into the character that you're playing.
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I'm not trying to be the next Dave Grohl or Phil Collins.
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You can make more friends in two months by becoming interested in other people than you can in two years by trying to get other people interested in you.
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The thing that intrigued me about 'Breaking Bad' from day one was the idea of taking a character and transforming him.
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At the Norman Invasion, the Saxon thanes were themselves humbled in turn; the manors were given a more legal character and transferred to favourites of William the Conqueror.
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The hero is changing in Bollywood, and I approach a hero's role like a character by focusing on its weaknesses. I feel the weaknesses of a character make them more alive, relatable, and human.
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We have got into Indian railways and are trying to get into the railway locomotive business in Europe and the United States.
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Trying to write music that's sensitive to 400 years ago takes a bit of madness, as it's such a long stretch of time.
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I've been acting my whole life. I have this huge imagination! I'm a dancer and my mom's a dance teacher, and I was always performing and entertaining people. I'd go to see live theatre or a movie, and I'd become the main character for a few days afterwards. I loved being somebody new for a temporary amount of time.
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In a democracy, you have to find a market niche, make sure a novel is 'interesting' and 'spectacular.' That may be the toughest censorship of all.
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Serious reflexion about one's own character will often induce a curious sense of emptiness; and if one knows another person well, one may sometimes intuit a similar void in him. (This is one of the strange privileges of friendship.)
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'Troublemaker' is not an adaptation of 'Metro Girl' or 'Motor Mouth.' It is an original story. The hardest part was probably trying to keep the sound true to the novels. I always write in first person, and it was important to us that the readers of 'Metro' and 'Motor' be comfortable with the change over to a graphic novel.
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Some people read an interesting or provocative newspaper article, and that's the end of that. A writer reads such an article, and her imagination gets fired up. Questions occur to her. She might feel an urge to finish the story that the article suggests.
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I have a color-coded computer spreadsheet that divides things down to chapter fragments. Each character's point-of-view is a different color. The text of the manuscript is color-coded the same way. The last thing I do before submitting the manuscript is turn all those colors back to black.
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The songs that give you the most trouble become your best songs.
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They say that in Hollywood one can't be honest, but I think honesty counts in Hollywood just as much as it does anywhere else. I think it's just too much trouble to be dishonest and keep up with yourself.
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I found myself at the beginning of 'Mad Men,' because I wasn't a sample size, spending an exorbitant amount of money on a nice dress that I would never wear again because someone would say - 'Christina Hendricks wore this dress twice.'
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This is also the age of science and technology in which human beings have progressed beyond the stage of blind faith.
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Try to get your characters into interesting trouble. Allow your characters to misbehave. Let them stay out after 11.
