Charles Busch Quotes
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I've always wanted to do something where I aged a lot, went from young girl to dowager.
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There's a real fantasy quotient to my work. Any play that I've written for myself to perform in basically begins with the idea, "Wouldn't it be fun to be, say, Jean Harlow in a pre-code movie?"
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I don't think I could ever go to Auschwitz, because when we took that tour of MGM, I nearly collapsed outside the Thalberg building.
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At fifteen, it [ "Follies"] didn't have any kind of resonance with me, this show about regret and middle age.
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It's more interesting to put yourself in the place of Bette Davis than Irene Dunne, I guess.
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I was very briefly under contract to Disney Animation, to develop ideas for animated features. They don't like you to use the word "cartoon" around there.
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I always tend to say "no" to everything, but now I've decided to say "yes" to everything. Now, I'm doing all sorts of things that I would've said "no" to before.
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I wish somebody would just give me a couple of million dollars a year, so that I could do a play based on every little fantasy I have.
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I stole that from Vito Russo. He said he was a devout believer in Judyism.
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I'm writing the book to a children's musical. I got a note from the producers saying, "Can't you make it campier?" So now, I'm trying to determine the camp sensibility of the average eight year old.
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I saw "Follies" again at thirty, and you know, I had this great appreciation for Stephen Sondheim's brilliance, his lyrics.
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I grew up with "Follies." I saw it when I was fifteen. It was the original production, and of course, that production will never be equaled.
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I read a lot of those Single Girl in New York books, like "Fear of Flying," where you could sort of put yourself, through transference, into the Jewish Girl in New York situation.