Adam Ant Quotes
Quotes to Explore
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I have just begun a work in which an important part is given to a large chorus and with it I want to use several of your instruments - augmenting their range as in those I used for my Equatorial - especially in the high range.
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What can you do if a part of it is uphill? You can't work out another route. You've just got to run the one they give you. But they tell me London is a nice course. Even the cobbles, I hope, are not very much of a problem for me.
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I've been lucky enough to work in pop culture, especially with people right before they popped.
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I love doing impressions of politicians because the task is always to imagine the private lives of these people whose job it is to project an image of staunch, unflinching leadership and grace, and that's just not how human beings, in their heart of hearts, work.
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People have got to get together and work together. I'm tired of the kind of oppression that white people have inflicted on us and are still trying to inflict.
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In my theater work, I've had much more three-dimensional, broader-stroke characters.
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I am very much aware of my own double self. The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child. He is not rational; he is impulsive and extremely emotional.
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I can be collaborative, for instance, in situations where I go and study the artist's work before I start writing. Then I can at least try to write towards their style.
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If I wasn't dyslexic, I probably wouldn't have won the Games. If I had been a better reader, then that would have come easily, sports would have come easily... and I never would have realized that the way you get ahead in life is hard work.
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I want to know that I gave my 100 percent, and even if it doesn't work, you know that you gave everything, and you don't have to look at it and say... I could have gave more - that would break my heart.
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In my work in Haiti, I've seen the hugely positive effects that happen when people come together to build something in the middle of the most desperate situations.
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We completed and released 'No Code' in 1996. We began some off and on touring for that release.
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You don't need Beanie Sigel in the building with a pre-perception that this crazy dude might do anything.
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The illusion is that most of my work is simply about past events: a point in history and nothing else.
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Anyone who thinks Peter Jackson would fall for market forces around him rather than artistic integrity doesn't know the guy or the body of his work.
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I wish the music business was a much easier thing, but you know what? Nothing easy is worth anything. So it is what it is. There comes a time when things can work out and everybody can be happy. And that's what it's all about in the end - everybody being happy and working it out.
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Going to work for a large company is like getting on a train. Are you going sixty miles an hour or is the train going sixty miles an hour and you're just sitting still?
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In each verse, a decision awaits us, and we can't choose to close our eyes and let instinct work on its own. Poetic instinct consists of an alert tension.
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I love writing on trains. The joy of being a writer is it's all in your head; you don't need materials apart from the laptop. It's like taking your work home with you, so you can feel grounded in your own insane writerly realities wherever you are.
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I can't die now, I have so much work to do.
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Imagine if the pension funds and endowments that own much of the equity in our financial services companies demanded that those companies revisit the way mortgages were marketed to those without adequate skills to understand the products they were being sold. Management would have to change the way things were done.
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Straw purchasing is illegal.
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You can go to places in Africa and Asia and find Marley graffiti. In the slums of Nairobi, you see his lyrics painted on walls, and you realise he has this almost religious significance to the underclass of the world. He's a guy born in a hut with no bed, and now he's probably the most listened-to artist in the world. It's fascinating.
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The touring was crazy, it was a lot of work. But I enjoyed it.
