Sammy Hagar (Samuel Roy Hagar) Quotes
I've had my fill of "One Way To Rock" or "I Can't Drive 55." Those are guy songs to me, and I'm cool with that. But when you write a great love song and you start seeing that 50 percent of your audience is beautiful women, that's much more rewarding, than having a bunch of guys out there.

Quotes to Explore
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I don't really like to explain my songs.
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Many of the songs on Undertow were written at the time Opiate came out.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
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I love writing songs.
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I will say that a lot of songs that I've written are from my own personal experiences which are special to me.
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The biggest influence? I've had several at different times – but the biggest for me was Bob Dylan, who was a guy that came along when I was twelve or thirteen and just changed all the rules about what it meant to write songs.
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I tend to name albums after one of the songs.
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With my songs I tried to prove that there is love.
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A letdown is worth a few songs. A heartbreak is worth a few albums.
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Every battalion has its marching songs.
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I don't have many easy songs.
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The songs I love to sing are story songs, from Yiddish songs to Tom Waits.
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I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stories, so I like to go beyond just the song sometimes.
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I'm a lover of songs.
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We lived, ate, and breathed pop songs.
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Dad really had little to do with the songs, except to perform them.
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Long before I was a star, I was a fan.
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When you lose your mother at 20 and then your father soon after, melancholia is part of your life.
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This meets the density, quality, cost structure and scalability needs of the diverse embedded market.
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I've had my fill of "One Way To Rock" or "I Can't Drive 55." Those are guy songs to me, and I'm cool with that. But when you write a great love song and you start seeing that 50 percent of your audience is beautiful women, that's much more rewarding, than having a bunch of guys out there.