Wu Shanzhuan Quotes
Quotes to Explore
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I love to cook. But I have some food allergies, so I have to contend with those.
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It's like everybody is shooting something, and everybody's a filmmaker; everybody can shoot a cat video and post it. So the big thing now is - for people that have talent and have something to say, and are creative, and are capable of making something good - is how do they get attention to it?
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There is no substitute for jamming and getting to know each other on the road.
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Performing, for me, has always been a very inner process.
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In this world without quiet corners, there can be no easy escapes from history, from hullabaloo, from terrible, unquiet fuss.
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There is more to life than increasing its speed.
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It's pretty neat to be able to help the team in different ways.
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I'm a great believer in the experiential theory of writing.
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It's a simple fact: no individual can be good at everything. Everyone needs people around them who have complimentary sets of skills.
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In my seaside town, there is a plethora of benches, each one bearing a little brass plate commemorating a deceased occupant. You sit with ghosts.
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I believe in 'soulmates,' especially growing up and seeing how much my parents loved each other. They always said that they had been married in past lives, too.
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I am the worlds laziest writer.
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I love it when a guy compliments my vibe.
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To stop the flow of music would be like the stopping of time itself, incredible and inconceivable.
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I'm marriable. But I'm not married.
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Motherhood is so sentimentalised and romanticised in our culture. It's practically against the law to say there are moments in the day when you hate your children. Everyone actually has those moments.
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This coupling together of science with international peace, is, I think, particularly significant.
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And I have exposed myself to art so that my work has something beyond just the usual potter.
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In life, there are no true beginnings or endings.
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I grew up in a house where service to the country was a way of life, not a means of reaching a personal goal.
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You turn up on set, and somebody who has come out of Oxford, has done a BBC course, is telling you how to act. You think, 'Do me a favour. Go and make a coffee.'
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You have to expose part of yourself to create a character deep enough for readers to care about. You try not to because it's hard and at times shameful, but then when you read those pages over and you see they have no life to them so you throw them away and force yourself to be more honest. So I suppose the answer is I see myself in all my characters, in their best moments and in their worst.
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To buy is to create. If you buy, then of course things will be created.
