Wolfgang Weingart Quotes
Quotes to Explore
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It is nothing to die. It is frightful not to live.
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I went to India and met some people who had been involved in this guerrilla business, middle-class people who were rather vain and foolish. There was no revolutionary grandeur to it. Nothing.
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The reason can give nothing at all Like the response to desire.
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Nothing endures but personal qualities.
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A man may be so much of everything that he is nothing of anything.
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Writing requires the concentration of the writer, demands that nothing else be done except that.
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Hungary will stop at nothing when it comes to protecting its citizens.
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Murderers, in general, are people who are consistent, people who are obsessed with one idea and nothing else.
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Nothing is better than peace, by which all warfare of heavenly and earthly foes is brought to naught.
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I never wanted to be that person who leaves 'SNL' and nothing happens.
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The greater part of critics are parasites, who, if nothing had been written, would find nothing to write.
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One must beware of ministers who can do nothing without money, and those who want to do everything with money.
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There's nothing more fun than mean-spirited characters.
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Nothing is divine but what is agreeable to reason.
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We must confront our own racism. Discriminatory housing and employment policies are nothing more than institutionalised racism.
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There's nothing wrong with doing sequels, they're just easier to sell.
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The roar of the crowd when you come out for a final is like nothing else: when 15,000 people are cheering you, a lot of adrenaline goes right through you.
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I pick up my pen. It flows. A building appears. There it is. There is nothing more to say.
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The slowness of time, for a man who knows nothing will happen, is brutal.
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The myths have always condemned those who 'looked back.' Condemned them, whatever the paradise may have been which they were leaving. Hence this shadow over each departure from your decision.
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Making music clips, I have a responsibility to depict the artist in a way that suits them, and feels comfortable with how they want to present their music. From there I usually try to tell a story visually that complements the music, that lets the music be the hero element of the project. I just try to do something that feels sincere and creative and a little bit home-brewed so it doesn't feel too plastic or phony.
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I think everyone should approach relationships from the perspective of playing it straight and giving someone the benefit of the doubt. Until he establishes that this is a game. And if it's a game, you need to win. The best thing to do is just walk away from the table.
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I often don't read reviews.
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Anyone who uses Helvetica knows nothing about typefaces.
