Wim Wenders Quotes
The culture of independent film criticism has totally gone down the drain and this seems to come with the territory of the consumer age that we are now living in.
Quotes to Explore
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I come from an immigrant culture. I'm only a couple of generations away from having been a servant girl myself.
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Culture is mix. Culture means a mix of things from other sources. And my town, Istanbul, was this kind of mix. Istanbul, in fact, and my work, is a testimony to the fact that East and West combine cultural gracefully, or sometimes in an anarchic way, came together, and that is what we should search for.
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But the process of making a film is not glamorous. Certainly not my films.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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I come from a country and also a continent whose identity is in the making. We're a very young culture, and I think that things are not yet crystallised.
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African-Americans are not a monolithic group. So, we tend to talk about the black community, the black culture, the African-American television viewing audience, but there are just as many facets of us as there are other cultures.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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Look, I've always said from the word go many years ago that I felt the whole bonus culture, they need to think very carefully about being detached from the rest of the British public.
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We live in a culture that's been hijacked by the management consultant ethos. We want everything boiled down to a Power Point slide. We want metrics and 'show me the numbers.' That runs counter to the immensely complex nature of so many social, economic and political problems. You cannot devise an algorithm to fix them.
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I'm extremely particular how my look should be in a film.
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Fantasy is sort of a blank slate that everybody can project their own culture onto. Everybody can read it in their own way.
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I feel the art world in New York has a stronger following than Britain. If you go to a New York art district on a Saturday morning, it will be so busy with families and openings - art is much more ingrained in the culture.
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It was this society and culture that among other things - including economic opportunities here and repression in Europe - attracted subsequent generations of immigrants to this country.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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I worked with Ismail Merchant on 'The Mystic Masseur,' I did 'Sakina's Restaurant,' I've done plays, I've been on Broadway, I've done movies, I've done TV... but nothing has had the pop culture penetrative impact as 'The Daily Show' has. It's the nature of the beast.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
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The air of the English is down-to-earth. They care about details; there's a tradition, but there's also a counter-culture: the younger generation versus the older generation and so on. But then that's well blended into a happy balance and crystallised into common sense.
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I have got the best of both worlds; growing up in Edinburgh and now living outside Glasgow.
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It's a man's sincerity and depth of vision that makes him a poet.
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I never had a job. I never saw myself working for corporate business.
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A lot of the original people on 'SNL' came through Chicago - and Toronto, I'm sure - but Chicago was the center of it all. When I was there, Chris Farley - I knew him; we hung out and stuff - he went off to 'Saturday Night Live,' it was like, 'It's possible to be from here and make it.'
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The culture of independent film criticism has totally gone down the drain and this seems to come with the territory of the consumer age that we are now living in.
