Wim Wenders Quotes
The culture of independent film criticism has totally gone down the drain and this seems to come with the territory of the consumer age that we are now living in.
Quotes to Explore
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I come from an immigrant culture. I'm only a couple of generations away from having been a servant girl myself.
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Culture is mix. Culture means a mix of things from other sources. And my town, Istanbul, was this kind of mix. Istanbul, in fact, and my work, is a testimony to the fact that East and West combine cultural gracefully, or sometimes in an anarchic way, came together, and that is what we should search for.
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But the process of making a film is not glamorous. Certainly not my films.
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Film has to describe and show.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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I come from a country and also a continent whose identity is in the making. We're a very young culture, and I think that things are not yet crystallised.
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If you live only in one culture for the first 20 years of your life, you become conditioned without knowing it.
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African-Americans are not a monolithic group. So, we tend to talk about the black community, the black culture, the African-American television viewing audience, but there are just as many facets of us as there are other cultures.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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Look, I've always said from the word go many years ago that I felt the whole bonus culture, they need to think very carefully about being detached from the rest of the British public.
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We live in a culture that's been hijacked by the management consultant ethos. We want everything boiled down to a Power Point slide. We want metrics and 'show me the numbers.' That runs counter to the immensely complex nature of so many social, economic and political problems. You cannot devise an algorithm to fix them.
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I'm extremely particular how my look should be in a film.
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Fantasy is sort of a blank slate that everybody can project their own culture onto. Everybody can read it in their own way.
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I feel the art world in New York has a stronger following than Britain. If you go to a New York art district on a Saturday morning, it will be so busy with families and openings - art is much more ingrained in the culture.
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It was this society and culture that among other things - including economic opportunities here and repression in Europe - attracted subsequent generations of immigrants to this country.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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The question of Heaven, the question of what happens after death, is one which a lot of people in our culture try to put off as long as they can, but sooner or later it suddenly swings round and looks them in the eye.
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In all my books, I try to have a strong element of realism underlying the fantastic.
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I wasn't interested in being an actor per se, but I liked acting, and I liked seeing what people would do.
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Our identities have no bodies, so, unlike you, we cannot obtain order by physical coercion. We believe that from ethics, enlightened self-interest, and the commonweal, our governance will emerge.
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The culture of independent film criticism has totally gone down the drain and this seems to come with the territory of the consumer age that we are now living in.
