Charles S. Maier Quotes
With a profound first-hand knowledge of participants, encompassing linguistic competence, and engaging prose, Padraic Kenney recreates the simultaneously serious and playful currents of East Europe's overthrow of repressive state socialism. What an invaluable guide to the elusive exhilaration that motivated the actors and captivated all of us who followed the transformation with such hope! We can appreciate neither the ebullience of 1989 nor the disappointment with the quotidian reality that followed without understanding Kenney's 'carnival.'
Quotes to Explore
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The day we run out of petrol is the day Iran will be free.
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I have a satellite radio show called 'The Legends of Reggae.' It's a cool way to branch out and do other things. I'm paying respect to the legends of reggae.
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I buy books, I have shelves of books. I love to read.
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I don't deserve any credit for turning the other cheek as my tongue is always in it.
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When you're on the pop treadmill, you don't always feel that cool because you have to do things to promote the record that aren't necessarily your environment.
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Prophesy to the wind, to the wind only for only The wind will listen.
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'If you are with God in truth and faith, whatever comes as a blessing or trial will be what God allows. If you are called by God, from beginning to the end, your journey has been documented. Nothing outside your documentary will happen without God’s knowledge.'
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Put the car away; when life fails What's the good of going to Wales? Here am I, here are you: But what does it mean? What are we going to do?
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Some chick came up to me and said something, so I kicked her in the box and shoved her.
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Need is not quite belief.
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Jadis, si je me souviens bien, ma vie était un festin où s'ouvraient tous les coeurs, où tous les vins coulaient.
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It is a wonderful but daunting task that has fallen on me to say few words by way of opening this Forum, the greatest concourse of women (joined by a few brave men!) that has ever gathered on our planet. I want to try and voice some of the common hopes which firmly unite us in all our splendid diversity.
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When you first arrive in India, you think, 'God, these Indians treat their servants so badly! How awful!' It's something in the air, and something about the way people are, that very few people hold out. I wasn't able to. Everybody goes local. You stop saying 'thank you' and things like that.
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I wasn't your normal plus-size girl who would dress in all black and hide in the shadows. I was very out there. But I was very shy and insecure about certain things.
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It is a no-fail, incontrovertible reality: If you get, give. If you learn, teach. You can't do anything with that except do it.
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You know, the 'Atomic Blonde' universe is its own universe. There's influences obviously of Bond and Bourne and 'Wick,' all the things I've been exposed to, but it is its own universe.
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The indestructible is one: it is each individual human being and, at the same time, it is common to all, hence the incomparably indivisible union that exists between human beings.
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For years, agency officials said that atrazine in drinking water posed almost no risk to humans or the environment.
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I always appreciate hard work, and every actor has a different process. I appreciate focus.
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I have two children myself. I always laugh; they have you playing mothers pretty early, us women. You look at the television, the mothers get younger and younger, and the children get older and older, and you start to wonder when these people had these children. Were they breeding when they were 12?
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Only within yourself exists that other reality for which you long.
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The reality is that a consumer culture which chucks out its iPhones for a new version every nine months is completely unsustainable, because Earth has already reached the tipping point. The General Strike attempts to personalize these issues and encourage listeners to look for a new model.
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With a profound first-hand knowledge of participants, encompassing linguistic competence, and engaging prose, Padraic Kenney recreates the simultaneously serious and playful currents of East Europe's overthrow of repressive state socialism. What an invaluable guide to the elusive exhilaration that motivated the actors and captivated all of us who followed the transformation with such hope! We can appreciate neither the ebullience of 1989 nor the disappointment with the quotidian reality that followed without understanding Kenney's 'carnival.'
