Charles S. Swartz Quotes
Quotes to Explore
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I love to push myself.
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Do not tell somebody how to vote, just go up to them and tell them what Fahrenheit 9/11 meant to you. Fahrenheit will probably not win an Academy Award, but if you put it first on your list, it will become a nominee.
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I have a classic taste with a twist, because classic never goes away.
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I feel like sleep is the most important thing. I notice in my body, when I don't get enough sleep on a consistent basis, how I am dreary, or my mood changes, or I'm not as focused.
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The best people to provide valuable information about any society are the children of that society who belong to its culture and are part of its collective conscience.
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Who cares about the clouds when we're together? Just sing a song and bring the sunny weather.
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Redheads were particularly persecuted during the European witch trials of the fifteenth, sixteenth and seventeenth centuries. The colour was associated with the devil, and the pale skin which most redheads have was thought unnatural and deathly.
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They managed to find time... to tell me that there was no chance of my being accepted for service and that really I should be surprised to still be alive.
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The rewards of freedom are always sweet, but its demands are stern, for at its heart is the paradox that the greatest enemy of freedom is freedom.
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I'm not about my breasts; I'm just about good health, OK. I'm not afraid of doing what I need to do to stay here. I really don't understand women who are in denial, who don't want to go for a mammogram. I think it's stupidity. Sorry. I have no patience for that.
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I played ping-pong with Prince. That's pretty surreal. He gave me a lesson before we played; like, he's great. He's a master at it, so I took the free lesson.
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I really don't like confrontations. One of the reasons I'm retiring is that I'm tired of hurting people's feelings.
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You can't succeed in beating the insurgents unless you can convince the people that they can be protected.
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It is totally different making films in the East than in the West. In the East, I make my own Jackie Chan films, and it's like my family. Sometimes I pick up the camera because I choreograph all the fighting scenes, even when I'm not fighting. I don't have my own chair. I just sit on the set with everybody.
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Fame often makes a writer vain, but seldom makes him proud.
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I now understand how varied the world of cultivated rice is; that rice can play the lead or be a sidekick; that brown rice is as valuable as white; and that short-grain rice is the bee's knees.
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The enemies of the Christian religion and the Law of God confuse law with faith.
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When I say that I am going to do an American film, I didn't want to suddenly go off into a completely different world that which bears no relation to the style of filmmaking that I'm used to.
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If you're making comedies, they have to have a fun and a rhythm to them.
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When I like myself, which is not too often, but when I do like myself on film, it's when I point, and I go, 'Look what she did! She did the funniest thing - look at her!' Where I can really separate back from it and I don't see me anymore, then I'm really excited. That's, like, really fun for me. That jazzes me.
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It doesn't matter how many times you win an award, it is always very special.
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I was always very dramatic - my family would probably use the word 'dramatic' - as a child; always putting on performances, making everyone come watch, and pay to watch. I was very business-savvy as a child.
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I'll bet living in a nudist colony takes all the fun out of Halloween.
