William Raspberry Quotes
Our growing ability to eliminate the slow-moving aspects of entertainment and go hopping from one peak to another is not without cost. Stand-up comics, movie-makers and others who earn their living entertaining no longer "waste" time with setups and plot development, lest we reach for the remote and click them off our screen. The result is a loss of subtlety, anticipation and nuance and, in the process, a coarsening of our discourse.
Quotes to Explore
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You might think the thinner version of yourself is going to be the most positive or confident, but that's not how it is for me. When I'm over 200 pounds, that's when I'm the most confident version of myself.
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Since the end of the Cold War, Soviet aggression had been replaced by a number of particularly venomous threats, from Timothy McVeigh to Osama bin Laden.
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Are you really sure that a floor can't also be a ceiling?
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It's funny, because I have periods where I just kind of go dark. I don't tweet, I don't talk, I don't interview, and then I have times where I do.
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Perhaps 10 percent of patients who are prescribed antidepressants are really benefiting from the drugs' active ingredients.
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I always said that you can use the same vehicle although the driver will change, or the same vehicle to go for the race. It's a different driver, this is exactly what's happening to the cabinet.
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A woman's whole life is a history of the affections.
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There is nothing evil save that which perverts the mind and shackles the conscience.
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After so many books and so many years of writing, I have a good idea of my strengths and weaknesses. I love the process of writing and, if I allowed myself, I would write far too much every day. One weakness which I've struggled to overcome is my tendency to having my characters ruminate for pages.
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I'm Irish and always will be, but America has taught me so much. Maybe it's here in the U.S. that we find a healing, for in the broader melting pot we get to look at some of these self-destructive attributes that we bring to bear upon our own quarrels and begin to solve them in ways other than just splitting apart.
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As a professional track cyclist, I have always challenged myself, and I enjoy seeing how I cope when faced with the unknown.
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I'm not the most charismatic, maybe emotional, fun-packed individual on the golf course; I get that.
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My house has too many distractions. There's the email. There's checking my Amazon ranking. I know I'm the only author who's ever done that, ever. There's the fax. Too many distractions. I like to go out and write.
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I want to go to college to study journalism. I want to speak French fluently, to travel. My mom was a journalist and it's in my blood.
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Never forget that no military leader has ever become great without audacity.
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It is to do nothing that the elect exist. Action is limited and relative. Unlimited and absolute is the vision of him who sits at ease and watches, who walks in loneliness and dreams.
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I am against the line and all its consequences: contours, forms, composition. All paintings of whatever sort, figuratives or abstract, seem to me like prison windows in which the lines, precisely are the bars.
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All that they seem to say is 'nigger, nigger, nigger'.
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I wanted to create a line for women and men alike that would encourage them to embrace the harmony and divine balance of sensuality and spirituality within all of us. Forplai is an opportunity to not only smell good and feel good, but to also take time to connect with the heavens above and the god in you.
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Time is money, but also money is money.
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A school out of Canberra sends me a term's worth of work. I sit on the couch by myself and complete it and send it back.
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I'd made enough money by the time I was 12 to never have to work again.
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Even when our heart aches, we summon the strength that maybe we didn't even know we had, and we carry on; we finish the race.
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Our growing ability to eliminate the slow-moving aspects of entertainment and go hopping from one peak to another is not without cost. Stand-up comics, movie-makers and others who earn their living entertaining no longer "waste" time with setups and plot development, lest we reach for the remote and click them off our screen. The result is a loss of subtlety, anticipation and nuance and, in the process, a coarsening of our discourse.
